Dance notation

From Wikipedia, the free encyclopedia

Dance notation is the symbolic representation of dance movement, it is analogous to Movement notation but can be limited to representing human movement and specific forms of dance such as Tap dance. Various methods have been to used to visually represent dance movements including:

Abstract symbols
Figurative representation
Track or path mapping
Numerical systems
Music notation
Graphic notation
Letter and word notations

The primary use of dance notation is the documentation, analysis and reconstruction of choreography and dance forms or technical exercises. Many different forms of dance notation have been created but the two main systems used in Western culture are Labanotation (also known as Kinetography Laban) and Benesh Movement Notation. Eshkol-Wachman Movement Notation and DanceWriting are also in use, but to a lesser extent.

Another purpose of dance notation is the documentation and analysis of dance in dance ethnology. Here the notation is not used to plan a new choreography but to document an existing dance. Dance notation systems developed for the description of European dance are often not applicable and not appropriate for the description of dances from other cultures, e.g. the polycentric dances of many African cultures, where the movement of the body through space is less important and a great deal of the movements takes place inside the body. Attempts have been made by ethnomusicologists and dance ethnologists to develop specific notation systems for such purposes.

The first computerized notation system, which displayed an animated figure on the screen which performed the dance moves specified by the choreographer, was the DOM dance notation system, created by Eddie Dombrower on the Apple II personal computer in 1982. (See Dance Notation Journal, Fall, 1986, 4(2) pp. 47-48.)

Several notation systems are used only for specific dance forms, for example, Shorthand Dance Notation (dances from Israel), Morris Dance Notation (Morris dance), and Beauchamp-Feuillet notation (Baroque dance).

Anne Hutchinson-Guest's seminal book Choreographics (1989), compares thirteen historical and present-day dance notation systems (with visual examples) and through 'one to one' comparisons illustrates the advantages, and disadvantages of each system. The book is good introduction to the development and implementation dance notation systems.

In 1975 Anne Hutchinson-Guest reconstructed the great choreographer Arthur Saint-Léon's Pas de Six from his 1844 ballet La Vivandière along with it's original music by the composer Cesare Pugni, for the Joffrey Ballet. The peice was reconstructed from Saint-Léon's own method of dance notation known as La Sténochorégraphie. In 1978 Pierre Lacotte staged the Pas de Six for the Kirov/Mariinsky Ballet, who still retain it in their repertory. The Pas de Six has since been staged by many ballet companies all over the world, and is known as either the La Vivandière Pas de Six or the Markitenka Pas de Six (as it is known in Russia).

One of the most famous collections of dance notation is the Sergeyev Collection, which was recorded in the method of notation method devised by Vladimir Ivanovich Stepanov. The collection document the famous Imperial Ballet's (today the Kirov/Mariinsky Ballet) repertory from the turn of the 20th century - the majority of which were staged by the great choreographer Marius Petipa. The collection includes Petipa's original choreographic design for such ballets as The Sleeping Beauty, Giselle, Le Corsaire, Swan Lake (staged with Lev Ivanov). Other works included ar ethe original The Nutcracker, and the Imperial Ballet's definitive Coppelia. It was with these notations that many of these works were first staged outside of Russia, forming the nucleus of the Classical Ballet repertory.

Notation and Computers

In the field of Dance technology there are four areas of dance notation research and development:

notation editing software for the creation of printed notation scores
machine-readable versions of existing dance notation
handwritten and / or machine readable dance notation for computer animation and Human use
machine specific movement notation such as Motion capture data

External links

Dance notation systems

Laban Lab (learn the basics of Labanotation)
The Dance Notation Bureau (Labanotation)
International Council of Kinetography Laban
Motif Description
the Benesh Institute
Sutton DanceWriting
Eshkol-Wachman Movement Notation
Action Stroke Dance Notation from web archive
Conte Movement Notation (from web archive)
Shorthand Dance Notation
Morris Dance Notation
Dance Graphical Notation System

Dance notation software

LabanWriter - Labanotation editor for Apple Macintosh OS 8.6 +
LED - a UNIX and X Window System mini-editor for Labanotation
Calaban - AutoCAD Labanotation editor for Microsoft Windows
The Benesh Notation Editor - Benesh notation editor for Microsoft Windows
Macbenesh - Benesh notation editor for Apple Macintosh (pre-Mac OS X) (from web archive)
EW Notator - Eshkol-Wachman Movement Notation editor for Microsoft Windows
DANCE - Ballroom dance pattern editor for Microsoft Windows

Dance Technology / dance notation applications

DanceForms - dance animation software for Mac OS X and Microsoft Windows
Expressive Character Animation - Expressive Ballet animation using Benesh Notation
LINTER - a UNIX and X windows for LED that generates animation via the NUDES animation system
BALLONES - 'Ballet Animation Language Linked Over Nudes Ellipsoid System' a lexical computer interpreter of Classical Ballet terminology
Country Dance animation project - Java and XML animation
Computer Choreography / Choreology Project - using Labanotation (development on hold)
Morris Dance Notation uses the abc musical notation language and related software for UNIX, Macintosh, Microsoft Windows and MIDI applications.

Retrieved from "http://en.wikipedia.org/wiki/Dance_notation"

Category: Dance notation