BENVENUTI IN   TUTTE LE LINGUE, CON CURA

SEZIONE
INGLESE

RIVISTA WIKIMAG
11 riviste piene di articoli interessanti!

WIKIMAG è una serie di 11 riviste che abbiamo realizzato per te nei mesi scorsi scegliendo da Wikipedia un certo numero di articoli enciclopedici legati all'attualità e con cui ti offriamo uno stimolo ad avvicinarti all'inglese più accademico (tecnico, scientifico, politico, culturale). Come aiuto potrai beneficiare su queste pagine della guida alla pronuncia di ReadSpeaker, del dizionario di Babylon integrato e del traduttore automatico interattivo di Google Translate. Quest'ultimo funziona così: basta selezionare del testo e la traduzione italiana comparirà istantaneamente in una finestrella. Ovviamente, trattandosi di una traduzione automatica, ci potrebbero essere delle imprecisioni ma il punto è che nel 90% dei casi avrai un aiuto concreto che ti eviterà di dover perder del tempo a cercare la parola nel dizionario!
                                                       VAI ALLA RIVISTA NUMERO: 

TORNA AL PALINSESTO
Il palinsesto è l'elenco di tutte le risorse disponibili in ELINGUE

Indice del n. 1

  1. Imagine
  2. 2012 UN Climate Change Conference
  3. Mohamed Morsi
  4. Dave Brubeck
  5. Oscar Niemeyer
  6. Mario Monti
  7. English grammar
  8. English irregular verbs
  9. Italian cuisine
  10. Windows 8
  11. OS X Mountain Lion
  12. Ford Fiesta
  13. Armenian genocide
  14. Turkish delight
  15. Tax and taxation
  16. Alpaca
  17. Jet lag
  18. Hypnosis
  19. Luigi Pirandello
  20. Advanced Encryption Standard
  21. Classified information
  22. Opera
  23. Digital cinema
  24. Pickpocketing
  25. Black Friday
  26. Avatar
  27. Project Gutenberg
  28. Fair use
  29. Twitter
  30. Google Street View
  31. Panettone
  32. White Christmas (song)
  33. Minstrel show
  34. List of sovereign states
  35. Barack Obama
  36. Oxfam
  37. Paradiplomacy
  38. Public domain
  39. 3D film
  40. Microsoft Surface
  41. Twin towns and sister cities
  42. Cosmopolitan (magazine)
  43. List of political parties in Italy
  44. Quantitative easing
  45. Electronic voting
  46. Amitabh Bachchan
  47. Downton Abbey
  48. Noble Prize controversies
  49. Circus
  50. David Cameron

 


WIKIMAG n. 1 - Dicembre 2012 
Imagine


Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. See Terms of Use for details.
Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
Traduzione interattiva on/off - Togli il segno di spunta per disattivarla


Single by John Lennon
from the album Imagine
B-side "It's So Hard" (US)
'"Working Class Hero" (UK)
Released 11 October 1971
Format 7" vinyl, 12" vinyl
Recorded May–June 1971 at Ascot Sound Studios, Ascot and Record Plant East, New York
Genre Rock
Length 3:03
Label Apple
Writer(s) John Lennon
Producer John Lennon, Yoko Ono, Phil Spector
John Lennon singles chronology
"Power to the People"
(1971)
"Imagine"/ "It's So Hard"
(US, 1971)
"Happy Xmas (War Is Over)"
(1971)

"Stand by Me"
(1975)

"Imagine" / "Working Class Hero"
(UK, 1975)

"(Just Like) Starting Over"
(1980)
Imagine track listing
 

"Imagine" is a song written and performed by English musician John Lennon. The best selling single of his solo career, its lyrical statement is one of idealistic collectivism.[citation needed] It challenges the listener to imagine a world at peace, without the divisiveness and barriers of borders, religions and nationalities, and to consider the possibility that the focus of humanity should be living a life unattached to material possessions.

Lennon and Yoko Ono co-produced the song and album of the same name with Phil Spector. Recording began at Lennon's home studio at Tittenhurst Park, England, in May 1971, with final overdubs taking place at the Record Plant, in New York City, during July. One month after the September release of the LP, Lennon released "Imagine" as a single in the United States; the song peaked at number 3 on the Billboard Hot 100 and the LP reached number one on the UK chart in November, later becoming the most commercially successful and critically acclaimed album of Lennon's solo career. Although not originally released as a single in the United Kingdom, it was released in 1975 to promote a compilation LP and it reached number six in the chart that year. The song has since sold more than 1.6 million copies in the UK; it reached number one following Lennon's death in December 1980.

BMI named "Imagine" one of the top 100 most-performed songs of the 20th century. The song ranked number 30 on the Recording Industry Association of America's list of the 365 Songs of the Century bearing the most historical significance. It earned a Grammy Hall of Fame Award and an induction into the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. A UK survey conducted by the Guinness World Records British Hit Singles Book named it the second best single of all time, and Rolling Stone ranked it number 3 in their list of "The 500 Greatest Songs of All Time". Since 2005, event organisers have played it just before the New Year's Times Square Ball drops in New York City. Dozens of artists have performed or recorded versions of "Imagine", including Madonna, Stevie Wonder, Joan Baez, Elton John, and Diana Ross. Emeli Sandé recorded a cover for the BBC to use during the end credits montage at the close of the 2012 Summer Olympics coverage in August 2012. "Imagine" subsequently re-entered the UK Top 40, reaching number 18.

Contents

Inspiration and lyrics

Several poems from Yoko Ono's 1964 book Grapefruit inspired Lennon to write the lyrics for "Imagine"[1]—in particular, one Capitol Records reproduced on the back cover of the original Imagine LP titled "Cloud Piece", which reads, "Imagine the clouds dripping, dig a hole in your garden to put them in."[2] Lennon later said the composition "should be credited as a Lennon/Ono song. A lot of it—the lyric and the concept—came from Yoko, but in those days I was a bit more selfish, a bit more macho, and I sort of omitted her contribution, but it was right out of Grapefruit."[3] When asked about the song's meaning during a December 1980 interview with David Sheff for Playboy magazine, Lennon told Sheff that Dick Gregory had given Ono and him a Christian prayer book, which helped inspire in Lennon what he described as:

The concept of positive prayer ... If you can imagine a world at peace, with no denominations of religion—not without religion but without this my God-is-bigger-than-your-God thing—then it can be true ... the World Church called me once and asked, "Can we use the lyrics to 'Imagine' and just change it to 'Imagine one religion'?" That showed [me] they didn't understand it at all. It would defeat the whole purpose of the song, the whole idea.[1]

With the combined influence of "Cloud Piece" and the prayer book given to him by Gregory, Lennon wrote what author John Blaney described as "a humanistic paean for the people."[3] Blaney wrote, "Lennon contends that global harmony is within our reach, but only if we reject the mechanisms of social control that restrict human potential."[4] In the opinion of Blaney, with "Imagine", Lennon attempted to raise people's awareness of their interaction with the institutions that affect their lives. Its lyrics ask the listener to abandon three of humanity's most cherished concepts: religion, nationhood, and possessions.[3]

However, Lennon's lyrics describe only hypothetical possibilities, offering no practical solutions, lyrics that are at times nebulous and contradictory, asking the listener to abandon systems while encouraging a system similar to communism.[4] Critics have indicated the hypocrisy in his encouragement of listeners to imagine living their lives without possessions: Lennon, the millionaire rock star living in a mansion. Others argue that Lennon intended the song's lyrics to inspire listeners to imagine if the world could live without possessions, not as an explicit call to give them up.[5] In 1981, former Beatle Ringo Starr defended the song's lyrics during an interview with Barbara Walters, stating: "[Lennon] said 'imagine', that's all. Just imagine it."[6] Blaney commented: "Lennon knew he had nothing concrete to offer, so instead he offers a dream, a concept to be built upon."[4]

Lennon stated: "'Imagine', which says: 'Imagine that there was no more religion, no more country, no more politics,' is virtually the Communist manifesto, even though I'm not particularly a Communist and I do not belong to any movement."[4] He told NME: "There is no real Communist state in the world; you must realize that. The Socialism I speak about ... [is] not the way some daft Russian might do it, or the Chinese might do it. That might suit them. Us, we should have a nice ... British Socialism."[4] Blaney described Lennon as "more than a little confused", and the song's lyrical position as isolationist, in contradiction with the "global oneness" they would seem to endorse. Blaney described the song as "riddled with contradictions. Its hymn-like setting sits uncomfortably alongside its author's plea for us to envision a world without religion."[4] Authors Ben Urish and Ken Bielen wrote: "the listener is, in a sense, deceived into absorbing the song's message."[6] They describe Lennon's "dream world" without a heaven or hell as a call to "make the best world we can here and now, since this is all this is or will be."[6] In the opinion of Urish and Bielen, "because we are asked merely to imagine—to play a 'what if' game, Lennon can escape the harshest criticisms".[6]

Ono described the lyrical statement of "Imagine" as "just what John believed: that we are all one country, one world, one people."[7] Rolling Stone described its lyrics as "22 lines of graceful, plain-spoken faith in the power of a world, united in purpose, to repair and change itself."[7][nb 1]

 

Composition and music

Lennon composed "Imagine" one morning in early 1971, on a Steinway piano, in a bedroom at his Tittenhurst Park estate in Ascot, England. Ono watched as he composed the melody, chord structure and almost all the lyrics, nearly completing the song in one brief writing session.[7] Urish and Bielen criticised the song's instrumental music as overly sentimental and melodramatic, comparing it to the music of the pre-rock era and describing the vocal melody as understated.[6] In Blaney's opinion, the song's melody "[is] apparently incomplete ... a simple motif that cries out to be developed and extended."[4]

Lennon wrote "Imagine" in the key of C major. Its 4-bar piano introduction begins with a C chord then moves to Cmaj7 before changing to F; the 12-bar verses also follow this chord progression, with their last 4 bars moving from Am/E to Dm and Dm/C, finishing with G, G11 then G7, before resolving back to C.[9] The 8-bar choruses progress from F to G to C, then Cmaj7 and E before ending on E7, a C chord substituted for E7 in the final bar. The 4-bar outro begins with F, then G, before resolving on C. With a duration of 3 minutes and 3 seconds and a time signature of 4/4, the song's tempo falls around 75 beats per minute.[10]

Musical notation for the introduction to "Imagine", by John Lennon.
The first two bars of the piano introduction
Musical notation for the main vocal melody to "Imagine", by John Lennon.
Four bars of the main vocal melody from the verse
 

Recording and commercial reception

A black and white photo of Lennon sitting at a white parlour grand piano. He is wearing headphones and a dark shirt.
A 1971 Billboard advertisement for "Imagine"

Lennon and Ono co-produced the song and album with Phil Spector, who commented on the track: "We knew what we were going to do ... It was going to be John making a political statement, but a very commercial one as well ... I always thought that 'Imagine' was like the national anthem."[11] Lennon described his working arrangement with Ono and Spector: "Phil doesn't arrange or anything like that—[Ono] and Phil will just sit in the other room and shout comments like, 'Why don't you try this sound' or 'You're not playing the piano too well' ... I'll get the initial idea and ... we'll just find a sound from [there]."[12]

Recording began at Ascot Sound Studios, Lennon's newly built home studio at Tittenhurst Park, England, in May 1971, with final overdubs taking place at the Record Plant, in New York City, during July.[12] Relaxed and patient, the sessions began during the late morning, running to just before dinner in the early evening. Lennon taught the musicians the chord progression and a working arrangement for "Imagine", rehearsing the song until he deemed the musicians ready to record.[3] In his attempt to recreate Lennon's desired sound, Spector had some early tapings feature Lennon and Nicky Hopkins playing in different octaves on one piano. He also initially attempted to record the piano part with Lennon playing the white baby grand in the couple's all-white room. However, after having deemed the room's acoustics unsuitable, Spector abandoned the idea in favour of the superior environment of Lennon's home studio.[4] They completed the session in minutes, recording three takes and choosing the second one for release.[13] The finished recording featured Lennon on piano and vocal, Klaus Voormann on bass guitar, Alan White on drums and the Flux Fiddlers on strings.[14]

Issued in the United States in October 1971, "Imagine" peaked at number 3 on the Billboard Hot 100.[15] It reached number 1 in Canada on the RPM national singles chart, remaining there for two weeks.[16] Upon its release the song's lyrics upset some religious groups, particularly the line: "Imagine there's no heaven".[17] When asked about the song during one of his final interviews, Lennon said he considered it to be as strong a composition as any he had written with the Beatles.[7] He described the song's meaning and explicated its commercial appeal: "Anti-religious, anti-nationalistic, anti-conventional, anti-capitalistic, but because it is sugarcoated it is accepted ... Now I understand what you have to do. Put your political message across with a little honey."[18] Lennon once told Paul McCartney that "Imagine" was "'Working Class Hero' with sugar on it for conservatives like yourself".[19] On 30 November 1971, the Imagine LP reached number one on the UK chart.[20] It became the most commercially successful and critically acclaimed album of Lennon's solo career.[21]

 

Film and re-releases

An image of a medium sized brown upright piano in a glass case. The piano keys are exposed.
Lennon's Steinway piano on which he composed "Imagine"[22]

In 1972, Lennon and Ono released an 81-minute film to accompany the Imagine album which featured footage of the couple in their home, garden and the recording studio of their Berkshire property at Tittenhurst Park as well as in New York City.[23] A full-length documentary rock video, the film's first scene features a shot of Lennon and Ono walking through a thick fog, arriving at their house as the song "Imagine" begins. Above the front door to their house is a sign that reads: "This Is Not Here", the title of Ono's then New York art show. The next scene shows Lennon sitting at a white grand piano in a dimly lit, all-white room. Ono gradually walks around opening curtains that allow in light, making the room brighter with the song's progression.[24] At the song's conclusion, Ono sits beside Lennon at the piano, and they share a quaint gaze, then a brief kiss.[25]

Included in the film is a scene during which Lennon talked with an American homeless man who had been living on their property. The man viewed Lennon as his messiah figure, to which Lennon responded: "I'm just a guy ... that writes songs ... [I] take words and stick them together and see if they have any meaning".[26] Lennon's vexation quickly turned to charity, and he asked the man: "Are you hungry?"[26] The man concurred, and Lennon replied: "OK, let's give him something to eat."[26] Several celebrities appeared in the film, including Andy Warhol, Fred Astaire, Jack Palance, Dick Cavett and George Harrison. Derided by critics as "the most expensive home movie of all time", it premiered to an American audience in 1972.[23] In 1986, Zbigniew Rybczyński made a music video for the song, and in 1987, it won both the "Silver Lion" award for Best Clip at Cannes and the Festival Award at the Rio International Film Festival.[27]

"Imagine" was released as a single in the United Kingdom in 1975 in conjunction with the album Shaved Fish, and it peaked at number six on the UK Singles Chart. Following Lennon's murder in 1980, the single re-entered the UK chart and was number one for four weeks in January 1981. "Imagine" was re-released as a single in the UK in 1988, peaking at number 45, and again in 1999, reaching number three. It is Lennon's best-selling single in the UK and as of 2012, has sold 1,600,000 copies there.[28] In 1999, on National Poetry Day in the United Kingdom, the BBC announced that listeners had voted "Imagine" Britain's favourite song lyric.[17] In 2003, it reached number 33 as the B-side to a re-release of "Happy Xmas (War Is Over)".[29]

 

Recognition and criticism

 A colour photograph of a large metal monument with a conical base supporting a globe that is wrapped in contorted musical instruments. In the background is a blue sky.
The John Lennon Peace Monument, Liverpool, England

Rolling Stone described "Imagine" as Lennon's "greatest musical gift to the world", praising "the serene melody; the pillowy chord progression; [and] that beckoning, four-note [piano] figure".[7] Included in several song polls, in 1999, BMI named it one of the top 100 most-performed songs of the 20th century.[30] Also that year, it received the Grammy Hall of Fame Award and an induction into the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.[31] Triple J ranked it number 11 on its Hottest 100 of All Time list.[32] "Imagine" ranks number 23 in the year-2000 list of best-selling singles of all time in the UK.[33] In 2002, a UK survey conducted by the Guinness World Records British Hit Singles Book ranked it the second best single of all time behind Queen's "Bohemian Rhapsody".[34] Gold Radio ranked the song number 3 on its "Gold's greatest 1000 hits" list.[35]

Rolling Stone ranked "Imagine" number 3 on its list of "The 500 Greatest Songs of All Time", describing it as "an enduring hymn of solace and promise that has carried us through extreme grief, from the shock of Lennon's own death in 1980 to the unspeakable horror of September 11th. It is now impossible to imagine a world without 'Imagine', and we need it more than he ever dreamed."[7] Despite that sentiment, Clear Channel Communications included the song on its post-9/11 "do not play" list.[36] On 1 January 2005, the Canadian Broadcasting Corporation named "Imagine" the greatest song in the past 100 years as voted by listeners on the show 50 Tracks.[37] The song ranked number 30 on the Recording Industry Association of America's list of the 365 Songs of the Century bearing the most historical significance.[37] Virgin Radio conducted a UK favourite song survey in December 2005, and listeners voted "Imagine" number 1.[38] Australians selected it the greatest song of all time on the Nine Network's 20 to 1 countdown show on 12 September 2006. They voted it eleventh in the youth network Triple J's Hottest 100 Of All Time on 11 July 2009.[39]

Jimmy Carter said, "in many countries around the world—my wife and I have visited about 125 countries—you hear John Lennon's song 'Imagine' used almost equally with national anthems."[40][nb 2] On 9 October 2010, which would have been Lennon's 70th birthday, the Liverpool Signing Choir performed "Imagine" along with other Lennon songs at the unveiling of the John Lennon Peace Monument in Chavasse Park, Liverpool England.[42][43] Beatles producer George Martin praised Lennon's solo work, singling out the composition: "My favourite song of all was 'Imagine'".[44] Music critic Paul Du Noyer described "Imagine" as Lennon's "most revered" post-Beatles song.[45] Urish and Bielen called it "the most subversive pop song recorded to achieve classic status."[6]

Journalist Dave Berg, writing in the The Washington Times, reflected on the song's selection for the New Year's Eve celebrations in Times Square. He considered it an "insidious and a horrendous choice" and found it strange that what he considered a "sad and depressing" song had "achieved the status of a secular hymn."[46] Berg said, "atheists have embraced the song as their own", and he gave the example of an "Imagine" themed advertisement from the Freedom From Religion Foundation."[46] While Berg considered the song an atheist anthem which served to dishonor both the victims of 9/11 and the US, a Methodist pastor he spoke with about it disagreed, "insisting the song was simply a metaphysical criticism of religion and politics."[46] Harvard economics professor Mathias Risse criticised Lennon's lyrical suggestion that humanity could reach a stage of development devoid of religion, countries and possessions as unrealistic: "Lennon's is not a dream in which we ought to join. We cannot imagine what he asks us to imagine in any action-guiding way."[47]

Performances and cover versions

In December 1971, Lennon and Ono appeared at the Apollo Theater in Harlem. Lennon performed "Imagine" with an acoustic guitar, yielding the earliest known live recording of the song, later included on the John Lennon Anthology (1998).[48] In 1975, he sang "Imagine" during his final public performance, a birthday celebration for Lew Grade.[6]

Elton John performed the song in September 1980 during his free concert in Central Park, a few blocks away from Lennon's apartment in the Dakota building.[49] On 9 December 1980, the day after Lennon's murder, Queen performed "Imagine" as a tribute to him during their Wembley Arena show in London.[50] On 9 October 1990, more than one billion people listened to a broadcast of the song on what would have been Lennon's 50th birthday.[51] Stevie Wonder gave his rendition of the song, with the Morehouse College Glee Club, during the closing ceremony of the 1996 Summer Olympics as a tribute to the victims of the Centennial Olympic Park bombing.[52][nb 3] In 2001, Neil Young performed it during the benefit concert America: A Tribute to Heroes.[54] Madonna performed "Imagine" during the benefit, Tsunami Aid: A Concert of Hope.[55][nb 4]

Since 2005, "Imagine" has been played prior to the New Year's Eve ball drop at New York City's Times Square.[57] Beginning in 2010, the song has been performed live; first by Taio Cruz, and then in 2011 by Cee Lo Green. However, Green received criticism for changing the lyric "and no religion too" to "and all religion's true", resulting in an immediate backlash from fans who believed that he had disrespected Lennon's legacy by changing the lyrics of his most iconic song.[58] Green defended the change by saying it meant to represent "a world [where you] could believe what [you] wanted".[58] In 2012, the London Olympic organisers included the song as part of the games' closing ceremony. Performed by the Liverpool Philharmonic Youth Choir and the Liverpool Signing Choir, the choirs sang the first verse, and accompanied Lennon's original vocals during the rest of the song.[59][nb 5]

More than 140 artists have recorded cover versions of "Imagine".[60] Joan Baez included it on 1972's Come from the Shadows and Diana Ross recorded a version for her 1973 album, Touch Me in the Morning.[61] In 1995, Blues Traveler recorded the song for the Working Class Hero: A Tribute to John Lennon album and Dave Matthews has performed the song live with them.[62] Seal, Pink, India.Arie, Jeff Beck, Konono Nº1, Oumou Sangaré and others recorded a version for Herbie Hancock's 2010 album The Imagine Project.[63] Hancock performed it with Arie, Kristina Train, and Greg Phillinganes at the 2010 Nobel Peace Prize Concert on 11 December; on 13 February 2011, the recording won a Grammy award for Best Pop Vocal Collaboration.[64] Emeli Sandé recorded a cover for the BBC to use during the end credits montage at the close of the 2012 Summer Olympics coverage in August 2012.[65] "Imagine" subsequently re-entered the UK Top 40, reaching number 18.[66]


 








DA INGLESE A ITALIANO
Inserire nella casella Traduci la parola INGLESE e cliccare Go.
 DA ITALIANO A INGLESE 
Impostare INGLESE anziché italiano e ripetere la procedura descritta.

 

 
 

 
CONDIZIONI DI USO DI QUESTO SITO
agg. 13.12.12
L'utente può utilizzare il sito ELINGUE solo se comprende e accetta quanto segue:

  • le risorse e i servizi linguistici presentati all'interno della cartella di sito denominata ELINGUE (www.englishgratis.com/elingue) , d'ora in poi definita "ELINGUE", sono accessibili solo previa sottoscrizione di un abbonamento a pagamento e si possono utilizzare esclusivamente per uso personale e non commerciale con tassativa esclusione di ogni condivisione comunque effettuata. Tutti i diritti sono riservati. La riproduzione anche parziale è vietata senza autorizzazione scritta.
  • si precisa altresì che il nome del sito EnglishGratis, che ospita ELINGUE, è esclusivamente un marchio di fantasia e un nome di dominio internet che fa riferimento alla disponibilità sul sito di un numero molto elevato di risorse gratuite e non implica dunque in alcun modo una promessa di gratuità relativamente a prodotti e servizi nostri o di terze parti pubblicizzati a mezzo banner e link, o contrassegnati chiaramente come prodotti a pagamento (anche ma non solo con la menzione "Annuncio pubblicitario"), o comunque menzionati nelle pagine del sito ma non disponibili sulle pagine pubbliche, non protette da password, del sito stesso. In particolare sono esclusi dalle pretese di gratuità i seguenti prodotti a pagamento: il nuovo abbonamento ad ELINGUE, i corsi 20 ORE e le riviste English4Life. L'utente che abbia difficoltà a capire il significato del marchio English Gratis o la relazione tra risorse gratuite e risorse a pagamento è pregato di contattarci per le opportune delucidazioni PRIMA DI UTILIZZARE IL SITO onde evitare spiacevoli equivoci.
  • ELINGUE è riservato in linea di massima ad utenti singoli (privati o aziendali). Qualora si sia interessati ad abbonamenti multi-utente si prega di contattare la redazione per un'offerta ad hoc.
  • l'utente si impegna a non rivelare a nessuno i dati di accesso che gli verranno comunicati (nome utente e password)
  • coloro che si abbonano accettano di ricevere le nostre comunicazioni di servizio (newsletter e mail singole) che sono l'unico tramite di comunicazione tra noi e il nostro abbonato, e servono ad informare l'abbonato della scadenza imminente del suo abbonamento e a comunicargli in anticipo eventuali problematiche tecniche e di manutenzione che potrebbero comportare l'indisponibilità transitoria del sito.
  • Nel quadro di una totale trasparenza e cortesia verso l'utente, l'abbonamento NON si rinnova automaticamente. Per riabbonarsi l'utente dovrà di nuovo effettuare la procedura che ha dovuto compiere la prima volta che si è abbonato.
  • Le risorse costituite da codici di embed di YouTube e di altri siti che incoraggiano lo sharing delle loro risorse (video, libri, audio, immagini, foto ecc.) sono ovviamente di proprietà dei rispettivi siti. L'utente riconosce e accetta che 1) il sito di sharing che ce ne consente l'uso può in ogni momento revocare la disponibilità della risorsa 2) l'eventuale pubblicità che figura all'interno delle risorse non è inserita da noi ma dal sito di sharing 3) eventuali violazioni di copyright sono esclusiva responsabilità del sito di sharing mentre è ovviamente nostra cura scegliere risorse solo da siti di sharing che pratichino una politica rigorosa di controllo e interdizione delle violazioni di copyright.
  • Nel caso l'utente riscontri nel sito una qualsiasi violazione di copyright, è pregato di segnalarcelo immediatamente per consentirci interventi di verifica ed eventuale rimozione del contenuto in questione. I contenuti rimossi saranno, nel limite del possibile, sostituiti con altri contenuti analoghi che non violano il copyright.
  • I servizi linguistici da noi forniti sulle pagine del sito ma erogati da aziende esterne (per esempio, la traduzione interattiva di Google Translate e Bing Translate realizzata rispettivamente da Google e da Microsoft, la vocalizzazione Text To Speech dei testi inglesi fornita da ReadSpeaker, il vocabolario inglese-italiano offerto da Babylon con la sua Babylon Box, il servizio di commenti sociali DISQUS e altri) sono ovviamente responsabilità di queste aziende esterne. Trattandosi di servizi interattivi basati su web, possono esserci delle interruzioni di servizio in relazione ad eventi di manutenzione o di sovraccarico dei server su cui non abbiamo alcun modo di influire. Per esperienza, comunque, tali interruzioni sono rare e di brevissima durata, saremo comunque grati ai nostri utenti che ce le vorranno segnalare.
  • Per quanto riguarda i servizi di traduzione automatica l'utente prende atto che sono forniti "as is" dall'azienda esterna che ce li eroga (Google o Microsoft). Nonostante le ovvie limitazioni, sono strumenti in continuo perfezionamento e sono spesso in grado di fornire all'utente, anche professionale, degli ottimi suggerimenti e spunti per una migliore traduzione.
  • In merito all'utilizzabilità del sito ELINGUE su tablet e cellulari a standard iOs, Android, Windows Phone e Blackberry facciamo notare che l'assenza di standard comuni si ripercuote a volte sulla fruibilità di certe prestazioni tipiche del nostro sito (come il servizio ReadSpeaker e la traduzione automatica con Google Translate). Mentre da parte nostra è costante lo sforzo di rendere sempre più compatibili il nostro sito con il maggior numero di piattaforme mobili, non possiamo però assicurare il pieno raggiungimento di questo obiettivo in quanto non dipende solo da noi. Chi desidera abbonarsi è dunque pregato di verificare prima di perfezionare l'abbonamento la compatibilità del nostro sito con i suoi dispositivi informatici, mobili e non, utilizzando le pagine di esempio che riproducono una pagina tipo per ogni tipologia di risorsa presente sul nostro sito. Non saranno quindi accettati reclami da parte di utenti che, non avendo effettuato queste prove, si trovino poi a non avere un servizio corrispondente a quello sperato. In tutti i casi, facciamo presente che utilizzando browser come Chrome e Safari su pc non mobili (desktop o laptop tradizionali) si ha la massima compatibilità e che il tempo gioca a nostro favore in quanto mano a mano tutti i grandi produttori di browser e di piattaforme mobili stanno convergendo, ognuno alla propria velocità, verso standard comuni.
  • Il sito ELINGUE, diversamente da English Gratis che vive anche di pubblicità, persegue l'obiettivo di limitare o non avere affatto pubblicità sulle proprie pagine in modo da garantire a chi studia l'assenza di distrazioni. Le uniche eccezioni sono 1) la promozione di alcuni prodotti linguistici realizzati e/o garantiti da noi 2) le pubblicità incorporate dai siti di sharing direttamente nelle risorse embeddate che non siamo in grado di escludere 3) le pubblicità eventualmente presenti nei box e player che servono ad erogare i servizi linguistici interattivi prima citati (Google, Microsoft, ReadSpeaker, Babylon ecc.).
  • Per quanto riguarda le problematiche della privacy, non effettuiamo alcun tracciamento dell'attività dell'utente sul nostro sito neppure a fini statistici. Tuttavia non possiamo escludere che le aziende esterne che ci offrono i loro servizi o le loro risorse in modalità sharing effettuino delle operazioni volte a tracciare le attività dell'utente sul nostro sito. Consigliamo quindi all'utente di utilizzare browser che consentano la disattivazione in blocco dei tracciamenti o l'inserimento di apposite estensioni di browser come Ghostery che consentono all'utente di bloccare direttamente sui browser ogni agente di tracciamento.
  • Le risposte agli utenti nella sezione di commenti sociali DISQUS sono fornite all'interno di precisi limiti di accettabilità dei quesiti posti dall'utente. Questi limiti hanno lo scopo di evitare che il servizio possa essere "abusato" attraverso la raccolta e sottoposizione alla redazione di ELINGUE di centinaia o migliaia di quesiti che intaserebbero il lavoro della redazione. Si prega pertanto l'utente di leggere attentamente e comprendere le seguenti limitazioni d'uso del servizio:
    - il servizio è moderato per garantire che non vengano pubblicati contenuti fuori tema o inadatti all'ambiente di studio online
    - la redazione di ELINGUE si riserva il diritto di editare gli interventi degli utenti per correzioni ortografiche e per chiarezza
    - il servizio è erogato solo agli utenti abbonati registrati gratuitamente al servizio di commenti sociali DISQUS
    - l'utente non può formulare più di un quesito al giorno
    - un quesito non può contenere, salvo eccezioni, più di una domanda
    - un utente non può assumere più nomi, identità o account di Disqus per superare i limiti suddetti
    - nell'ambito del servizio non sono forniti servizi di traduzione
    - la redazione di ELINGUE gestisce la priorità delle risposte in modo insindacabile da parte dell'utente
    - in tutti i casi, la redazione di ELINGUE è libera in qualsiasi momento di de-registrare temporaneamente l'utente abbonato dal
      servizio DISQUS qualora sussistano fondati motivi a suo insindacabile giudizio. La misura verrà comunque attuata solo in casi di
      eccezionale gravità.
  • L'utente, inoltre, accetta di tenere Casiraghi Jones Publishing SRL indenne da qualsiasi tipo di responsabilità per l'uso - ed eventuali conseguenze di esso - delle informazioni linguistiche e grammaticali contenute sul sito, in particolare, nella sezione Disqus. Le nostre risposte grammaticali sono infatti improntate ad un criterio di praticità e pragmaticità che a volte è in conflitto con la rigidità delle regole "ufficiali" che tendono a proporre un inglese schematico e semplificato dimenticando la ricchezza e variabilità della lingua reale. Anche l'occasionale difformità tra le soluzioni degli esercizi e le regole grammaticali fornite nella grammatica va concepita come stimolo a formulare domande alla redazione onde poter spiegare più nei dettagli le particolarità della lingua inglese che non possono essere racchiuse in un'opera grammaticale di carattere meramente introduttivo come la nostra grammatica online.

    ELINGUE è un sito di Casiraghi Jones Publishing SRL
    Piazzale Cadorna 10 - 20123 Milano - Italia
    Tel. 02-36553040 - Fax 02-3535258 email: robertocasiraghi@iol.it 
    Iscritta al Registro Imprese di MILANO - C.F. e PARTITA IVA: 11603360154
    Iscritta al R.E.A. di al n. 1478561 • Capitale Sociale Euro 10.400,00 interamente versato