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June
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Renewable energy
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Infotainment
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The Origin of Species
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Reality television
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Musical instrument
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Stefano Rodotà
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WIKIMAG n. 7 - Giugno 2013
Reality television
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Reality television (also known as reality shows) is a
television programming
genre
that presents unscripted situations, documents actual events and usually
features unknowns instead of professional actors. Such shows usually
have various standard tropes, including frequent interviews with
participants that double as the show's narration, and sometimes an
emphasis on drama and personal conflict. Competition-based reality
shows, a notable subset, often have additional common elements such as
one participant being eliminated per episode, a panel of judges, and the
concept of immunity from elimination.
The genre began in earnest in the early to mid-1990s with shows such
as
Nummer 28,
The Real World and
Changing Rooms, then exploded as a phenomenon in the late 1990s
and early 2000s with the global success of the series
Survivor and
Big Brother.[1]
These shows and a number of others (usually also competition-based)
became global franchises, spawning local versions in dozens of
countries. Reality television as a whole has become a fixture of
television programming. In the
United States, various channels have retooled themselves to focus on
reality TV, most famously
MTV, which
began in the 1980s as a
music video pioneer, before switching to a nearly all-reality format
in the early 2000s.
There are grey areas around what is classified as reality television.
Documentaries,
television news,
sports television,
talk
shows and traditional
game
shows are usually not classified as reality television, even though
they also feature non-actors in unscripted situations. Other genres that
predate the reality television boom have sometimes been retroactively
grouped into reality TV, including
hidden camera shows such as
Candid Camera (1948), talent-search shows such as
The Original Amateur Hour (1948), documentary series about
ordinary people such as the
Up
Series (1964), high-concept game shows such as
The Dating Game (1965), home improvement shows such as
This Old House (1979) and
court shows featuring real-life cases such as
The People's Court (1981).
There has been controversy over the extent to which reality
television truly reflects reality. In many cases the entire premise of
the show is a contrived one, based around a competition or another
unusual situation. However, various shows have additionally been accused
of using fakery in order to create more compelling television, such as
having premeditated storylines and in some cases feeding participants
lines of dialogue, focusing only on participants' most outlandish
behavior, and altering events through editing and re-shoots.[2][3]
History
1940s–1960s
Precedents for television that portrayed people in unscripted
situations began in the 1940s. The 1946 television game show
Cash and Carry sometimes featured contestants performing stunts.
Debuting in 1948,
Allen Funt's
hidden camera
Candid Camera show (based on his previous 1947 radio show,
Candid Microphone) broadcast unsuspecting ordinary people reacting
to pranks."[4]
In 1948, talent search shows
Ted Mack's
Original Amateur Hour and
Arthur Godfrey's Talent Scouts featured amateur competitors and
audience voting. The
Miss America Pageant, first broadcast in 1954, was a competition
where the winner achieved status as a national
celebrity.[5]
In the 1950s, game shows
Beat the Clock and
Truth or Consequences involved contestants in wacky
competitions, stunts, and practical jokes.
Confession was a
crime/police
reality show which aired from June 1958 to January 1959, with
interviewer
Jack Wyatt questioning criminals from assorted backgrounds.[6]
The radio series Nightwatch (1951–1955), which tape-recorded
the daily activities of
Culver City, California police officers, also helped pave the way
for reality television. The series
You Asked For It (1950–1959), in which viewer requests dictated
content, was an antecedent of today's audience-participation reality TV
elements, in which viewers cast votes to help determine the course of
events.
1960s–1970s
First broadcast in the United Kingdom in 1964, the
Granada Television series
Seven
Up!, broadcast interviews with a dozen ordinary seven-year-olds
from a broad cross section of society and inquired about their reactions
to everyday life. Every seven years, a film documented the life of the
same individuals during the intervening period, titled "7 Plus Seven",
"21 Up", etc. The series was structured as a series of interviews with
no element of plot. However, it did have the then-new effect of turning
ordinary people into celebrities.
In the 1966
Direct Cinema film
Chelsea Girls,
Andy Warhol filmed various acquaintances with no direction given;
the Radio Times Guide to Film 2007 stated that the film was "to
blame for reality television."[7]
The first reality show in the modern sense may have been the 12-part
1973
PBS series
An American Family, which showed a
nuclear family (filmed in 1971) going through a divorce; unlike many
later reality shows, it was more or less documentary in purpose and
style. In 1974 a counterpart program,
The Family, was made in the UK, following the working class
Wilkins family of
Reading. Other forerunners of modern reality television were the
1970s productions of
Chuck Barris:
The Dating Game,
The Newlywed Game, and
The Gong Show, all of which featured participants who were eager
to sacrifice some of their privacy and dignity in a televised
competition.[8]
In 1978,
Living in the Past recreated life in an
Iron
Age English village.
1980s–1990s
Producer
George Schlatter capitalized on the advent of videotape to create
Real People, a surprise hit for NBC which ran from 1979 to 1984.
The success of Real People was quickly copied by ABC with
That's Incredible, a stunt show co-hosted by
Fran Tarkenton.
Canadian
TV ran
Thrill of a Lifetime, a fantasies-fulfilled reality show from
1982 to 1988 which was revived in 2001-03.
In 1985, underwater cinematographer Al Giddings teamed with former
Miss America
Shawn Weatherly on the NBC series Oceanquest. Oceanquest
chronicled Weatherly's adventures scuba diving in various exotic
locales. Weatherly was nominated for an
Emmy Award for Outstanding Achievement in informational programming.[9]
COPS, which first aired in the spring of 1989 and came about
partly due to the need for new programming during the
1988 Writers Guild of America strike,[10]
showed police officers on duty apprehending criminals; it introduced the
camcorder look and
cinéma vérité feel of much of later reality television.
The series
Nummer 28, which aired on
Dutch television in 1991, originated the concept of putting
strangers together in the same environment for an extended period of
time and recording the drama that ensued. Nummer 28 also
pioneered many of the stylistic conventions that have since become
standard in reality television shows, including a heavy use of
soundtrack music and the interspersing of events on screen with
after-the-fact "confessionals" recorded by cast members, that serve as
narration. One year later, the same concept was used by MTV in their new
series
The Real World and Nummer 28 creator Erik Latour has long
claimed that The Real World was directly inspired by his show.[11]
However, the producers of The Real World have stated that their
direct inspiration was
An American Family.[12]
According to television commentator
Charlie Brooker, this type of reality television was enabled by the
advent of computer-based
non-linear editing systems for video (such as produced by
Avid Technology) in 1989. These systems made it easy to quickly edit
hours of video footage into a usable form, something that had been very
difficult to do before. (Film, which was easy to edit, was too expensive
to shoot enough hours of footage with on a regular basis).[13]
The TV show
Expedition Robinson, created by TV producer Charlie Parsons,
which first aired in 1997 in
Sweden
(and was later produced in a large number of other countries as
Survivor), added to the Nummer 28/Real World
template the idea of competition and elimination, in which cast
members/contestants battled against each other and were removed from the
show until only one winner remained. (These shows are now sometimes
called elimination shows).
Changing Rooms, a TV show that began in 1996, showed couples
redecorating each other's houses, and was the first reality show[citation
needed] with a
self-improvement or
makeover theme.
The 1980s and 1990s were also a time when
tabloid talk shows came to rise, many of which featured the same
types of unusual or dysfunctional guests that would later become popular
as cast members of reality shows.
2000s
Reality television saw an explosion of global popularity in the late
1990s and early 2000s, with the successes of the
Big Brother and
Survivor/Expedition Robinson franchises.
In the United States, reality television had a temporary decline in
viewership in 2001, that lead some to speculate that it was a temporary
fad that had run its course. Reality shows with low ratings included
The Amazing Race (although the show has since recovered),
Lost (unrelated to the better-known
serial drama of the same name) and
The Mole.[14]
However, this proved not to be the case. Survivor and
American Idol both topped the US season-average television
ratings in the 2000s: Survivor led the ratings in
2001–02, and Idol topped the ratings six consecutive years,
from
2004–05 to
2009–10).
Internationally, a number of shows created in the late 1990s and
2000s have had massive global success. At least nine reality-television
franchises have had over 30 international adaptations each: the singing
competition franchises
Idols,
Star Academy and
X Factor, and other competition franchises
Survivor/Expedition Robinson, Big Brother,
Got
Talent,
Top
Model,
MasterChef and
Dancing with the Stars. Several "reality
game shows" from the same period have had even greater success,
including
Deal or No Deal,
Who Wants to Be a Millionaire? and
Weakest Link, with over 50 international adaptions each. (All
but one of these franchises, Top Model, was created by either
British producers or the
Dutch production company
Endemol.)
In India, the show
Indian Idol remains the most popular television program after
seven seasons.[15]
The 2000s saw three television channels devoted exclusively to
reality television:
Fox Reality in the United States, which existed from 2005 to 2010,
Global Reality Channel in
Canada
(2010–2012) and
Zone Reality in the United Kingdom (2002–2009). In addition, several
other cable channels, including
Bravo,
A&E, E!,
TLC,
History, VH1
and MTV,
changed their programming to mostly comprise reality television during
the 2000s.[16]
During the early part of the 2000s, network executives expressed
concern that reality-television programming was limited in its appeal
for DVD reissue and
syndication. DVDs for reality shows in fact sold briskly;
Laguna Beach: The Real Orange County,
The Amazing Race,
Project Runway, and
America's Next Top Model all ranked in the top DVDs sold on
Amazon.com, and in the mid-2000s, DVDs of
The Simple Life outranked scripted shows like
The
O.C. and
Desperate Housewives. Syndication, however, has indeed proven
problematic; shows such as
Fear Factor, COPS and Wife Swap in which each
episode is self-contained can indeed be rerun fairly easily, but usually
only on cable television and/or during the daytime (COPS and
America's Funniest Home Videos being exceptions). Season-long
competitions such as
The Amazing Race,
Survivor, and
America's Next Top Model generally perform more poorly and
usually must be rerun in
marathons to draw the necessary viewers to make it worthwhile. (Even
in these cases, it is not always successful:
Dancing with the Stars was picked up for a ten-season run on
GSN in 2012, has run in marathon format, but experienced very poor
ratings.) Another option is to create documentaries around series
including extended interviews with the participants and outtakes not
seen in the original airings; the syndicated series
American Idol Rewind is an example of this strategy.
COPS has had huge success in syndication, direct response
sales and DVD. A FOX staple since 1989, COPS has, as of 2013,
outlasted all competing scripted police shows. Another series that has
seen wide success is "Cheaters",
which has been running since 2000 in the US and is syndicated in over
100 countries worldwide.
In 2001, the
Academy of Television Arts and Sciences added the reality genre to
the
Emmy Awards with the category of
Outstanding Reality Program. In 2003, to better differentiate
between competition and informational reality programs, a second
category,
Outstanding Reality-Competition Program, was added. In 2008, a third
category,
Outstanding Host for a Reality or Reality-Competition Program, was
added.
In 2010,
The
Tester became the first reality television show aired over a
videogame console.[17]
2010s
By 2012, many of the long-running reality television show franchises
in the United States, such as American Idol, Dancing with the
Stars and The Bachelor, had begun to see declining ratings.[18]
However, reality television as a whole remained highly durable in the
U.S., with hundreds of shows across many channels. In 2012
New York Magazine's Vulture blog published a humorous
Venn diagram showing popular themes across American reality shows
then running, including shows set in the U.S. states of
Alaska,
Lousiana and
Texas,
shows about cakes, weddings and
pawnbrokers, and shows, usually competition-based, whose title
includes the word "Wars".[19]
Subgenres
The genre of reality television consists of various subgenres.
Documentary-style
In many "reality" TV programs, camera shooting and footage editing
give the viewer the impression that they are passive observers following
people going about their daily personal and professional activities;
this style of filming is often referred to as
fly on the wall or
factual television. Story "plots" are often constructed via editing
or planned situations, with the results resembling soap operas—hence the
terms docusoap and
docudrama.
Documentary style programs give viewers a private look into the
lives of the subjects.
Within documentary-style reality television are several subcategories
or variants:
- Special living environment
- Some documentary-style programs place cast members, who in most
cases previously did not know each other, in artificial living
environments;
The Real World is the originator of this style. In almost
every other such show, cast members are given a specific challenge
or obstacle to overcome.
Road Rules, which started in 1995 as a spin-off of The
Real World, started this pattern: the cast traveled across the
country guided by clues and performing tasks.
-
Big Brother is probably the best known program of this type
in the world with different versions produced in many countries
around the globe. Another example of a show in this category
The 1900 House, involves
historical re-enactment with cast members hired to live and work
as people of a specific time and place. 2001's
Temptation Island achieved some notoriety by placing several
couples on an island surrounded by single people in order to test
the couples' commitment to each other.
U8TV: The Lofters combined the "special living environment"
format with the "professional activity" format noted below; in
addition to living together in a
loft,
each member of the show's cast was hired to host a television
program for a Canadian cable channel.
- Celebrities
- Another subset of fly-on-the-wall-style shows involves
celebrities. Often these show a celebrity going about their everyday
life: notable examples include
The Anna Nicole Show,
The Osbournes,
Gene Simmons Family Jewels,
Newlyweds: Nick and Jessica, and
Hogan Knows Best. In other shows, celebrities are put on
location and given a specific task or tasks; these include
Celebrity Big Brother,
The Simple Life,
Tommy Lee Goes to College,
The Surreal Life, and
I'm a Celebrity... Get Me out of Here!.
VH1 has
created an entire block of shows dedicated to celebrity reality,
known as "Celebreality". This form of documentary follows the lives
of celebrities, often as they take on new tasks and ventures. Shows
such as these are often created with the idea of promotion of a
celebrity product or upcoming project.
- Professional activities
- Some documentary-style shows portray professionals either going
about day-to-day business or performing an entire project over the
course of a series. One early example (and the longest running
reality show of any genre) is
COPS which has been airing since 1989.
- Other examples of this type of reality show include the American
shows
Miami Ink,
Bikini Barbershop,
The First 48,
Dog the Bounty Hunter,
Dog Whisperer,
American Chopper and
Deadliest Catch; the British shows
Airport,
Police Stop! and
Traffic Cops; the Australian shows
Border Security and
Bondi Rescue, and the New Zealand show
Motorway Patrol. The US cable networks
TLC and
A&E in particular show a number of this type of reality show.
- VH1's
2001 show
Bands on the Run was a notable early hybrid, in that the
show featured four
unsigned bands touring and making music as a professional
activity, but also pitted the bands against one another in game show
fashion to see which band could make the most money.
- Subcultures
- Some documentary-style shows shed light on cultures and
lifestyles rarely seen otherwise by most of their viewers. One
example is shows about
disabled people or people who have unusual physical
circumstances, such as the American TV shows
Push Girls and
Little People, Big World, and the British shows
Beyond Boundaries,
The Undateables and
Seven Dwarves.
- Another example is shows that portray the lives of ethnic or
religious minorities. Examples include
All-American Muslim (Lebanese-American
Muslims),
Shahs of Sunset (affluent
Persian-Americans),
Sister Wives (polygamists from a
Mormon splinter group),
Breaking Amish and
Amish Mafia (the
Amish),
and
Washington Heights (Dominican
Americans).
- The
Real Housewives franchise offers a window into the lives of
affluent urban and suburban housewives. Conversely, the highly
successful
Here Comes Honey Boo Boo and
Duck Dynasty are set in rural areas in the
Southern United States.
Reality
legal programming
Another subgenre of reality television is "reality legal
programming." These are programs that center on real-life legal matters.
These legal matters tend to have thematic subcategories, such as court
shows, law enforcement documentaries, true crime shows, legal news
shows, etc.
Court show
- One of the many subgenres of reality legal programming are
"court shows." Originally, court shows were all dramatized and
staged programs with
actors playing the litigants, witnesses, and lawyers. The cases
were either reenactments of actual real-life cases or altogether
made up cases. Among examples of courtroom dramas include
Famous Jury Trials,
Your Witness, Traffic Court, and the first two eras
of
Divorce Court.
The People's Court revolutionized the genre by introducing
the
arbitration-based "reality" format in 1981, later adopted by the
vast majority of court shows. The genre experienced a lull in
programming after The People's Court was cancelled in 1993.
Only short-lived or
loosely related court shows aired for a time. The genre then
soared through the emergence of
Judge Judy in 1996. After this, a slew of other reality
court shows utilizing the same arbitration format arrived on the
seen, such as
Judge Mathis,
Judge Joe Brown,
Judge Alex,
Judge Mills Lane and
Judge Hatchett.
- Despite using legitimate litigants, the "judges" are actually
"arbitrators" as these pseudo-judges are not actually presiding in a
court of law, but rather a studio setting where different rules
can apply. Typically, however, they are retired judges, or at least
individuals who have had some legal experience.
- Courtroom programs are typically
daytime television shows that air on weekdays.
Law enforcement documentaries
- Another subgenre of reality legal programming are law
enforcement documentaries. Law enforcement documentaries are
programs that capture police officers on duty. These shows tend to
be shocking in nature as they comprise of individuals caught in
real-life criminal acts and circumstances, as well as confrontations
with police officers. The most successful installment of this
subgenre is
Cops.
Reality competition/game shows
-
- See also:
list of reality television game shows
Another sub-genre of reality TV is "reality competition" or so-called
"reality game shows," which follow the format of non-tournament
elimination
contests. Typically, participants are filmed competing to win a
prize, often while living together in a confined environment. In many
cases, participants are removed until only one person or team remains,
who/which is then declared the winner. Usually this is done by
eliminating participants one at a time, through either
disapproval voting or by voting for the most popular choice to win.
Voting is done by the viewing audience, the show's own participants, a
panel of judges, or some combination of the three.
A well-known example of a reality-competition show is the globally
syndicated
Big Brother, in which cast members live together in the same
house, with participants removed at regular intervals by either the
viewing audience or, in the case of the American version, by the
participants themselves.
There remains disagreement over whether talent-search shows such as
the
Idol series, the
Got
Talent series and the
Dancing with the Stars series are truly reality television, or
just newer incarnations of shows such as
Star Search. Although the shows involve a traditional talent
search, the shows follow the reality-competition conventions of removing
one or more contestants per episode and allowing the public to vote on
who is removed; and the shows sometimes show unscripted moments during
rehearsals. Additionally, there is a good deal of interaction shown
between contestants and judges. As a result, such shows are often
considered reality television. The American
Primetime Emmy Awards have nominated both
American Idol and Dancing with the Stars for the
Outstanding Reality-Competition Program Emmy.
Game shows like
Weakest Link,
Who Wants to Be a Millionaire?,
American Gladiators and
Deal or No Deal, which were popular in the 2000s, also lie in a
gray area: like traditional game shows (e.g.,
The Price Is Right,
Jeopardy!), the action takes place in an enclosed TV studio over
a short period of time; however, they have higher production values,
more dramatic background music, and higher stakes than traditional shows
(done either through putting contestants into physical danger or
offering large cash prizes). In addition, there is more interaction
between contestants and hosts, and in some cases they feature
reality-style contestant competition and/or elimination as well. These
factors, as well as these shows' rise in global popularity at the same
time as the arrival of the reality craze, lead many people to group them
under both the reality TV umbrella and the traditional game show one.[20]
There are various hybrid reality-competition shows, like the
worldwide-syndicated
Star Academy, which combines the Big Brother and Idol
formats,
The Biggest Loser and
The Pick-up Artist which combine competition with the
self-improvement format, and
American Inventor, which uses the Idol format for
products instead of people. Some shows, such as
Making the Band and
Project Greenlight, devote the first part of the season to
selecting a winner, and the second part to showing that person or group
of people working on a project.
Popular variants of the competition-based format include the
following:
- Dating-based competition
- Dating-based competition shows follow a contestant choosing one
out of a group of suitors. Over the course of either a single
episode or an entire season, suitors are eliminated until only the
contestant and the final suitor remains. In the early 2000s, this
type of reality show dominated the other genres on the major US
networks. Shows that aired included
The Bachelor, its spin-off
The Bachelorette, as well as
Temptation Island and
Average Joe. More recent such shows include
Flavor of Love (a dating show featuring rapper
Flavor Flav that led directly and indirectly to over 10
spinoffs),
The Cougar, and
Love in the Wild. This is one of the older variants of the
format; shows such as
The Dating Game that date to the 1960s had similar premises
(though each episode was self-contained, and not the serial format
of more modern shows).
- Job search
- In this category, the competition revolves around a skill that
contestants were pre-screened for. Competitors perform a variety of
tasks based on that skill, are judged, and are then kept or removed
by a single expert or a panel of experts. The show is usually
presented as a job search of some kind, in which the prize for the
winner includes a contract to perform that kind of work and an
undisclosed salary (sometimes the alternate prize may be a cash
amount equivalent to said salary). The show also features judges who
act as counselors, mediators and sometimes mentors to help
contestants develop their skills further or perhaps decide their
future position in the competition.
Popstars, which debuted in 1999, may have been the first
such show, while the
Idol series has been longest-running and most popular
such franchise. The first job-search show which showed dramatic,
unscripted situations may have been
America's Next Top Model, which premiered in May 2003. Other
examples include
The Apprentice (which judges business skills);
Hell's Kitchen,
MasterChef, and
Top
Chef (for chefs);
Shear Genius (for hair styling),
Project Runway (for clothing design),
Top Design (for interior design),
Stylista (for fashion editors),
Last Comic Standing (for comedians),
Scream Queens (for actresses),
I Know My Kid's a Star (for child performers),
On the Lot (for filmmakers),
RuPaul's Drag Race (for drag queens),
The Shot (for fashion photographers),
So You Think You Can Dance (for dancers),
MuchMusic VJ Search and
Food Network Star (for television hosts),
Dream Job (for sportscasters),
Work of Art (for artists),
Face Off (for makeup artists),
Platinum Hit (for songwriters) and
The Tester (for game testers).
- Some shows use the same format with celebrities: in this case,
there is no expectation that the winner will continue this line of
work, and prize winnings often go to charity. Examples of celebrity
competition programs include
Deadline,
Celebracadabra, and
The Celebrity Apprentice.
- Sports
- Most of these programs create a sporting competition among
athletes attempting to establish their name in that sport.
The Club, in 2002, was one of the first shows to immerse
sport with reality TV, based on a fabricated club competing against
real clubs in the sport of
Australian rules football; the audience helped select which
players played each week by voting for their favorites. Golf
Channel's
The Big Break is a reality show in which aspiring golfers
compete against one another and are eliminated.
The Contender, a
boxing
show, became the first American reality show in which a contestant
committed suicide after being eliminated from the show; the show's
winner was promised a shot at a boxing world championship.
Sergio Mora, who won, indeed got his title shot and became a
world champion boxer. On
The Ultimate Fighter participants have voluntarily withdrawn
or expressed the desire to withdraw from the show due to competitive
pressure.
- In sports shows, sometimes just appearing on the show, not
necessarily winning, can get a contestant the job. The owner of UFC
declared that the final match of the first season of Ultimate
Fighter was so good, both contestants were offered a contract,
and in addition, many non-winning "TUF Alumni" have prospered in the
UFC. Many of the losers from
World Wrestling Entertainment's
Tough Enough and
Diva Search shows have been picked up by the company.
- Not all sports programs involve athletes trying to make a name
in the sport. The 2006 US reality series
Knight School focused on students at
Texas Tech University vying for a
walk-on (non-scholarship)
roster position on
the school's men's basketball team under legendary coach
Bob Knight. In the Republic of Ireland,
RTÉ
One's
Celebrity Bainisteoir involves eight non-sporting Irish
celebrities becoming bainisteoiri (managers)
of mid-level
Gaelic football teams, leading their teams in an
officially sanctioned tournament.
Immunity
One concept pioneered by, and unique to, reality competition shows is
the idea of immunity, where a contestant can win the right to be immune
the next time contestants are eliminated from the show. This concept was
conceived by
Mark Burnett, the producer of the American version of Survivor,
for that show's first season in 1999. On Survivor the rules
around immunity are more complex than they have been on most shows since
then: a player achieves immunity through finding a hidden totem, but
they can keep this fact a secret from other players; and they can also
pass on their immunity to someone else.[21]
On most shows, immunity is instead achieved by winning a task, often a
relatively minor task during the first half of the episode; the
announcement of immunity is made publicly; and immunity is
non-transferable. Competition shows that feature immunity include the
Apprentice,
Big Brother,
Biggest Loser,
Top
Model and
Top
Chef franchises.
In one Apprentice episode, a participant chose to waive his
earned immunity, and was immediately "fired" by
Donald Trump for giving up this powerful asset.[22]
Self-improvement/makeover
Some reality television shows cover a person or group of people
improving their lives. Sometimes the same group of people are covered
over an entire season (as in
The Swan and
Celebrity Fit Club), but usually there is a new target for
improvement in each episode. Despite differences in the content, the
format is usually the same: first the show introduces the subjects in
their current, less-than-ideal environment. Then the subjects meet with
a group of experts, who give the subjects instructions on how to improve
things; they offer aid and encouragement along the way. Finally, the
subjects are placed back in their environment and they, along with their
friends and family and the experts, appraise the changes that have
occurred. Other self-improvement or makeover shows include "How Do I
Look?" (fashion makeover).
The Biggest Loser and
Fat
March, (which covers weight loss),
Extreme Makeover (entire physical appearance),
Queer
Eye and
What Not to Wear (style and grooming),
Supernanny (child-rearing),
Made (attaining difficult goals),
Trinny & Susannah Undress (fashion makeover and marriage),
Tool Academy (relationship building) and
Charm School and
From G's to Gents (self-improvement and manners).
Renovation
Some shows make over part or all of a person's living space, work
space, or vehicle. The American show
This Old House was the first such show,[citation
needed] debuting in 1979. The British show
Changing Rooms, beginning in 1996 (later remade in the US as
Trading Spaces) was the first such renovation show that added a
game show feel with different weekly contestants.[citation
needed] Other shows in this category include
Extreme Makeover: Home Edition,
Debbie Travis' Facelift,
Designed to Sell,
While You Were Out, and
Holmes on Homes.
Pimp My Ride and
Overhaulin' show vehicles being rebuilt. Some shows, such as
Restaurant Makeover and
Ramsay's Kitchen Nightmares, show both the decor and the menu of
a failing restaurant being remade. The issue of "making over" was taken
to its social extreme with the British show
Life Laundry, in which people who had become hoarders, even
living in squalor, were given professional assistance.
As with game shows, a gray area exists between such reality TV shows
and more conventional formats. Some argue the key difference is the
emphasis of the human story and conflicts of reality shows, versus the
emphasis on process and information in more traditional format shows.[citation
needed] The show
This Old House, which began in 1979, the start to finish
renovation of different houses through a season; media critic
Jeff Jarvis has speculated that it is "the original reality TV
show."[23]
Social experiment
Another type of reality program is the
social experiment that produces drama, conflict, and sometimes
transformation.
Wife Swap which began in 2003 on
Channel 4 and has aired for four seasons on
ABC is a notable example. People with different values agreed to
live by each other's social rules for a brief period of time and
sometimes learn from the experience. Other shows in this category
include ITV's
Holiday Showdown, Oxygen's
The Bad Girls Club (lifestyles and actions), and Channel 4's
Secret Millionaire.
Faking It was a series where people had to learn a new skill and
pass themselves off as experts in that skill.
Shattered was a controversial 2004 UK series where contestants
competed for how long they could go
without sleep.
Hidden cameras
Another type of reality programming features
hidden cameras rolling when random passers-by encounter a staged
situation.
Candid Camera, which first aired on television in 1948,
pioneered the format. Modern variants of this type of production include
Punk'd,
Trigger Happy TV,
Primetime: What Would You Do?,The
Jamie Kennedy Experiment and
Just For Laughs Gags. The series
Scare Tactics and
Room
401 are hidden-camera programs in which the goal is to frighten
contestants rather than just befuddle or amuse them.
Not all hidden camera shows use strictly staged situations. For
example, the syndicated show
Cheaters, purports to use hidden cameras to record suspected
cheating partners, although the authenticity of the show has been
questioned.[24]
Once the evidence has been gathered, the accuser confronts the cheating
partner with the assistance of the host. In many special-living
documentary programs, hidden cameras are set up all over the residence
in order to capture moments missed by the regular camera crew, or
intimate bedroom footage.
Supernatural and paranormal
Supernatural and
paranormal reality shows such as
MTV's Fear, place participants into frightening situations which
ostensibly involve the
paranormal. In series such as
Celebrity Paranormal Project, the stated aim is investigation,
and some series like
Scariest Places on Earth challenge participants to survive the
investigation; whereas others such as
Paranormal State and
Ghost Hunters use a recurring crew of
paranormal researchers. Shows such as
Fear Factor and
Scare Tactics dispense with supernatural overtones and aim
solely at inciting fear or aversion in the cast. In general, the shows
follow similar stylized patterns of
night vision, surveillance, and hand held camera footage; odd
angles; subtitles establishing place and time; desaturated imagery;
rapid fire, MTV editing; and non-melodic soundtracks.
Noting the trend in reality shows that take the paranormal at face
value,
The New York Times culture editor Mike Hale[25]
characterized
ghost hunting shows as "pure theater" and compared the genre to
professional wrestling or
soft core pornography for its formulaic, teasing approach.[26]
Hoaxes
In hoax reality shows, a
false premise is presented to some of the series participants; the
rest of the cast are actors who are in on the joke. These shows often
served to parody the conventions of the reality TV genre. The first such
show was 2003's
The Joe Schmo Show. Other examples are
My Big Fat Obnoxious Boss (modeled after The Apprentice),
My Big Fat Obnoxious Fiance,
Hell
Date (modeled after Blind Date),
Superstar USA (modeled after American Idol),
Bedsitcom (modeled after Big Brother),
Space Cadets (which convinced the hoax targets that they were
being flown into space),
Invasion Iowa (in which a town was convinced that
William Shatner was filming a movie there), and Reality Hell[27]
(different target and premise every episode).
Other shows, though not hoax shows per se, have offered misleading
information to some cast members in order to add a wrinkle to the
competition. Examples include
Boy Meets Boy and
Joe Millionaire.
Analysis and
criticism
Political impact
Reality television's global successes has been, in the eyes of some
analysts, an important political phenomenon. In some
authoritarian countries, reality television voting has been the
first time many citizens have voted in any free and fair wide-scale
elections. In addition, the frankness of the settings on some reality
shows present situations that are often taboo in certain orthodox
cultures, like
Star Academy Arab World, which began airing in 2003, and which
shows male and female contestants living together.[28]
A Pan-Arab version of Big Brother was cancelled in 2004 after
less than two weeks on the air after a public outcry and street
protests.[29]
In 2004, journalist
Matt Labash, noting both of these issues, wrote that "the best hope
of little Americas developing in the Middle East could be Arab-produced
reality TV."[30]
In 2007,
Abu Dhabi TV begain airing
Million's Poet, a show featuring Pop Idol-style voting
and elimination, but for the writing and oration of
Arabic poetry. The show became popular in Arab countries, with
around 18 million viewers,[31]
partly because it was able to combine the excitement of reality
television with a traditional, culturally relevant topic.[32]
In April 2010, however, the show also become a subject of political
controversy, when
Hissa Hilal, a 43-year-old female
Saudi competitor, read out a poem criticizing her country's Muslim
clerics.[33]
Hilal received the highest scores from the judges throughout the
competition, and came in third place overall.[31]
In India
in the summer of 2007, coverage of the third season of
Indian Idol focused on the breaking down of cultural and
socioeconomic barriers as the public rallied around the show's top two
contestants.[15]
The
Chinese singing competition
Super Girl (a local imitation of
Pop
Idol) has similarly been cited for its political and cultural
impact.
After the finale of the show's 2005 season drew an audience of around
400 million people, and 8 million
text message votes, the state-run English-language newspaper
Beijing Today ran the front-page headline "Is Super Girl a Force
for Democracy?"[35]
The Chinese government criticized the show, citing both its democratic
nature and its excessive vulgarity, or "worldliness",[36]
and in 2006 banned it outright.[37]
It was later reintroduced in 2009, before being banned again in 2011.
Super Girl has also been criticized by non-government commentators
for creating seemingly impossible ideals that may be harmful to Chinese
youth.
In
Indonesia, reality television shows have surpassed
soap operas as the most-watched programs on the air.[38]
One popular program is
Jika Aku Menjadi ("If I Were"), which follows young,
middle-class people as they are temporarily placed into lower-class
life, where they learn to appreciate their circumstances back home by
experiencing daily life for the less fortunate.[38]
Critics have claimed that this and similar programs in Indonesia
reinforce traditionally Western ideals of materialism and consumerism.[38]
However, Eko Nugroho, reality show producer and president of Dreamlight
World Media, insists that these reality shows are not promoting American
lifestyles but rather reaching people through their universal desires.[38]
As
a substitute for scripted drama
VH1 executive vice president Michael Hirschorn wrote that the plots
and subject matters on reality television are more authentic and more
engaging than in scripted dramas, writing that scripted network
television "remains dominated by variants on the police procedural... in
which a stock group of characters (ethnically, sexually, and
generationally diverse) grapples with endless versions of the same
dilemma. The episodes have all the ritual predictability of Japanese
Noh theater,"
while reality TV is "the liveliest genre on the set right now. It has
engaged hot-button cultural issues—class, sex, race—that respectable
television... rarely touches."[39]
Television critic
James Poniewozik wrote that reality shows like
Deadliest Catch and
Ice Road Truckers showcase working-class people of the kind that
"used to be routine" on scripted network television, but that became a
rarity in the 2000s: "The better to woo upscale viewers, TV has evicted
its mechanics and dockworkers to collect higher rents from yuppies in
coffeehouses."[40]
Lighting crews are typically present in the background of
reality television shows.
Sound crews are typically present in the background of
reality television shows.
Union critique of reality television
Writers for reality television do not receive union pay-scale
compensation and union representation, which significantly decreases
expenditures for producers and broadcasters.[2]
Many of the actors in reality television are
compensated for their appearances.[24][41][42][43]
Product placement
Product placement, whereby companies and corporations pay to have
their products included in television programming for marketing
purposes, is highly prevalent in reality television.[44][45]
The following is a list of television shows with the most instances
of product placement (11/07–11/08;
Nielsen Media Research)[citation
needed]. Eight out of the nine are reality
television shows.
-
The Biggest Loser 1,026,248
-
American Idol, 504,636
-
Extreme Makeover: Home Edition', 13,371
-
America's Toughest Jobs, 12,807
-
Deal or No Deal, 2,292
-
America's Next Top Model, 12,241
-
Last Comic Standing, 1,993
-
Kitchen Nightmares 1,853
-
Hell's Kitchen, 1,807
"Reality"
as misnomer
Unreal
environments
In competition-based programs such as Big Brother and
Survivor, and other special living environment shows like The
Real World, the producers design the format of the show and control
the day-to-day activities and the environment, creating a completely
fabricated world in which the competition plays out. Producers
specifically select the participants and use carefully designed
scenarios, challenges, events, and settings to encourage particular
behaviors and conflicts.
Mark Burnett, creator of Survivor and other reality shows,
has agreed with this assessment, and avoids the word "reality" to
describe his shows; he has said, "I tell good stories. It really is not
reality TV. It really is unscripted drama."[46]
Premeditated scripting, acting and misleading editing
The 2004 VH1
program
Reality TV Secrets Revealed detailed various misleading tricks
of reality TV producers. According to the show, various reality shows
(notably
Joe Millionaire) combined audio and video from different times,
or from different sets of footage, to create an artificial illusion of
time chronology that did not occur, and a misportrayal of participant
behaviors and actions.[47]
An episode of the NBC drama
Harry's Law used the industry jargon "Franken-bites" and gave an
example of the audio-splicing trick, which is used to force dialogue
that is needed for the drama/story/script, but not actually said by the
cast members.
In docusoap programming, which follows people in their daily life,
producers may be highly deliberate in their editing strategies, able to
portray certain participants as heroes or villains, and may guide the
drama through altered chronology and selective presentation of events. A
Season 3 episode of
Charlie Brooker's Screenwipe included a segment on the ways in
which selective editing can be used to this end.[13]
Reality television shows have faced speculation that the participants
themselves are involved in fakery, acting out
storylines that have been planned in advance by producers.[2]
The Hills is one notable example; the show faced allegations
that its plots are scripted ahead of time. During the second season of
Hell's Kitchen, it was speculated that the customers eating
meals prepared by the contestants were in fact paid actors.[48]
Daniel Petrie Jr., president of the Writers Guild of America-West,
stated in 2004, "We look at reality TV, which is billed as unscripted,
and we know it is scripted. We understand that shows don't want to call
the writers writers because they want to maintain the illusion that it
is reality, that stuff just happens."[2]
Various alumni of the MTV reality series The Real World have
related incidents in which the producers staged or attempted to stage
incidents for the cameras.[49][50]
During a reunion show featuring the first four Real World casts,
Heather Gardner, of the original
New York cast, questioned members of the
San Francisco cast if their situations were real, noting that
situations from the original season seemed to repeat themselves in
subsequent ones. On an edition of the
E! True Hollywood Story that spotlighted the series, cast member
Jon Brennan revealed that he was asked by the producers to state on the
air that he felt hatred towards housemate Tami Roman for her decision to
have an abortion, and that he refused to do so, stating that although he
disagreed with her decision, he did not feel hatred towards her. Lars
Schlichting of
The Real World: London related an instance in which roommate
Mike Johnson asked a question when cameras were not present, and then
asked the same question five minutes later when cameras were
present, which Schlichting added was not typical of Johnson.[51]
Producers have also been accused of selectively editing material in
order to give the false impression of certain emotional reactions or
statements from the castmates.[52]
New York cast member
Rebecca Blasband says producers paid a man $100 to ask her out on a
date, and that she terminated that plan when she learned of it. She also
says that a heated argument she and
Kevin Powell had in the seventh episode of that season was edited to
make both of them appear more extreme.[53]
Professional wrestler
Hulk Hogan, whose family starred in the reality series
Hogan Knows Best and
Brooke Knows Best, explains in his 2009 autobiography My Life
Outside the Ring, that paying unionized camera crews to film
subjects continuously until something telegenic or dramatic occurs would
be prohibitively expensive, and that as a result, such shows are
"soft-scripted", and follow a tightly regimented shooting schedule that
allows for typical work-related considerations such as lunch breaks.
When filming soft-scripted shows, the subjects are given a scenario by
the producers to act out, perhaps an exaggerated version of something
likely to be encountered in their real lives, are informed of the
outcome, and possible "beats"
in between, and instructed to improvise, which Hogan says is a version
of what he did as a professional wrestler. According to Hogan, this
would result in behavior that members of his family would never exhibit
in real life, as when his son, Nick tossed water balloons at neighbors
from a window, or when his wife would wake up early to apply makeup and
do her hair before camera crews arrived to film shots of the couple
sleeping.[54]
Multiple takes of scenes can be shot in reality shows, including ones
that may be presented to viewers as being unrehearsed, such as the
scenes on
Extreme Makeover: Home Edition in which families learn that they
have been selected to receive a home makeover.[55]
Mike Fleiss, creator of
The Bachelor and
The Bachelorette, as well as former contestants, have stated
that both shows are scripted. The Bachelorette Season 4 winner,
Jesse Csincsak, stated that contestants on those series are required to
follow producers' orders, and that storylines are fabricated in the
editing room.[56]
Season 13 participants Megan Parris related, "I don't think [the
producers] showed any real conversation I had with anyone... The viewers
fail to realize that editing is what makes the show... You'll hear
someone make one comment and then they'll show a clip of somebody's face
to make it look like that is their facial reaction to that statement,
but really, somebody made that face the day before to something else.
It's just piecing things together to make a story."[57]
Parris also stated that producers "bully" and berate contestants into
saying specific things to the camera that the contestants do not wish to
say.[58][59]
Fleiss stated in an appearance on 20/20 that he develops the
show's contestants into characters that will cater to his audience's
tastes and that they "need [their] fair share of villains every season."[60][61]
On February 24, 2012, during the filming of The Women Tell All
episode of The Bachelor Season 16, what should have been a
private conversation between contestant Courtney Robertson and one of
the show’s producers went public when the microphones were accidentally
left on in between camera takes. The leaked conversation revealed the
producer's role as an acting coach who was encouraging Robertson to fake
certain emotions for the camera which she was not feeling.[62]
The
History series
Pawn Stars depicts three generations of the Harrison family
working at their family-owned Gold & Silver Pawn Shop in Las Vegas.
However, as a result of the filming that takes place there, the four
main cast members no longer work the counter, due to laws that require
the identity of customers pawning items to remain confidential, and the
tourists and fans taking photos and video in the showroom that would
preclude this. When shooting episodes of the series, the shop is
temporarily closed, with only a handful of customers allowed into the
showroom.[63]
The investors on the ABC series
Shark Tank have admitted that some of the entrepreneurs who
obtain investment deals from them on the show never receive financing,
as some of the agreements fall through after the investors make closer
inspections of the entrepreneurs' financial records.[64]
Dave Hester, one of the stars of the A&E series
Storage Wars, filed a lawsuit against A&E in December 2012,
saying that he was fired after he complained to the network and the
production company that produces the show that the series is staged.
According to Hester, the items that are seen in the abandoned storage
containers that are acquired by the series' cast are appraised in
advance before being planted in the containers by A&E, which pays for
storage lockers for "weaker" cast members, scripts the cast member
interviews, and stages the auctions seen on the show. A&E denied the
accusation, saying that the show is entirely authentic.[65]
On February 4, 2013, Russell Jay, a producer on the series
Keeping Up with the Kardashians, stated in a 165-page deposition
in the divorce proceedings of star
Kim Kardashian and her husband,
Kris Humphries, that at least two of the scenes that were shot for
that series were scripted, reshot or edited in order to cast Humphries
in a negative light following Kardashian's decision to divorce him.[66][67]
Wardrobe staging
Some shows, such as
Survivor, do not allow the participants to wear clothing of
their own choosing while on camera, to promote the participants' wearing
of "camera-friendly colors" and to prevent the participants from wearing
the same style and/or color of clothing. Additionally, some prohibited
clothing with corporate logos.[68]
Misleading premise
The very premise of some reality shows has been called into question.
The winner of the
first season, in 2003, of
America's Next Top Model,
Adrianne Curry, claimed that part of the grand prize she received, a
modeling contract with
Revlon,
was for a much smaller amount of work than what was promised throughout
the show.[69]
During the airing of the first season of
A Shot at Love with Tila Tequila, in which a group of both men
and women vied for the heart of
Tila Tequila, there were rumors that its star was not only
heterosexual, but also had a boyfriend already.[70]
The show's winner, Bobby Banhart, claimed that he never saw Ms. Tequila
again after the show finished taping, and that he was not given her
telephone number.[71]
Counterarguments
Geoff King argues in his book, Spectacle of the Real: From
Hollywood to Reality TV and Beyond that even though the contestants
are in a fabricated setting and the situation has been set up for a
certain outcome, as in shows such as The Bachelor and The
Bachelorette, what emerges on the screen is still grounded in
reality. King writes:
“ |
I
would argue, rather, that the simulated setting stimulates
feeling, in part because the removal of the participants from
their normal surroundings strips them to nothing but the space
and affect of social interaction. The intimacy that arises out
of this amplified situation is real – both for the participants
and for the viewers.[72] |
” |
Instant celebrity
Reality television has the potential to turn its participants into
national
celebrities, at least for a short period. This is most notable in
talent-search programs such as the Idol and
X Factor series, which have spawned music stars in many of the
countries in which they have aired. Many other shows, however, have made
at least temporary celebrities out of their participants; some
participants have then been able to parlay this fame into media and
merchandising careers. For example,
Elisabeth Hasselbeck, a contestant on
Survivor: The Australian Outback, later became a host on morning
talk show
The View.
Jamie Chung (from
The Real World: San Diego),
Kristin Cavallari (from
Laguna Beach: The Real Orange County) and
NeNe Leakes (from
The Real Housewives of Atlanta) all have had acting careers
since appearing on reality television. Several cast members of MTV's
Jersey Shore have had lucrative endorsement deals, and in some
cases their own product lines.
Tiffany Pollard, originally a contestant on
Flavor of Love, was eventually given four additional reality
series of her own on VH1. In Britain,
Jade Goody became famous after appearing on
Big Brother 3 in 2002; she later appeared on other reality
programs, wrote a bestselling autobiography and launched a top-selling
perfume line. She later received extensive media coverage during her
battle with
cervical cancer, from which she died in 2009.
Bethenny Frankel, who gained fame after appearing on several reality
TV shows, launched the successful brand Skinnygirl Cocktails, and is
slated to host her own talk show,
Bethenny. Two castmembers of non-athletic reality shows,
Mike "The
Miz" Mizanin (from The Real World and its spin-off,
The Challenge) and
David Otunga (from I Love New York), became professional
wrestlers for WWE.
Some reality-television alumni have parlayed their fame into paid public
appearances.[73][74]
In a rare case of a reality television alumnus succeeding in the
political arena,
The Real World: Boston castmember
Sean Duffy is currently a
U.S. Representative from
Wisconsin.
Several
socialites, or children of famous parents, who were somewhat
well-known before they appeared on reality television shows have become
much more famous as a result, including
Paris Hilton,
Nicole Richie,
Kelly Osbourne, Kim Kardashian, and many of the rest of the
Kardashian family.
Reality TV contestants are sometimes derided as "Z-list
celebrities", "Bravolebrities", and/or "nonebrities" who have done
nothing to warrant their newfound fame.[75]
Some have been lampooned for exploiting an undeserved "15
minutes of fame".[76]
The Kardashian family is one such group of reality television
personalities who were subject to this criticism in the 2010s.[76][77]
As a
spectacle of humiliation
Some have claimed that the success of reality television is due to
its ability to provide
schadenfreude, by satisfying the desire of viewers to see others
humiliated. American magazine
Entertainment Weekly wrote, "Do we watch reality television for
precious insight into the human condition? Please. We watch for those
awkward scenes that make us feel a smidge better about our own little
unfilmed lives."[78]
Media analyst Tom Alderman wrote, "There is a sub-set of Reality TV that
can only be described as Shame TV because it uses humiliation as its
core appeal."[79]
Television critic
James Poniewozik has disagreed with this assessment, writing, "for
all the talk about 'humiliation TV,' what's striking about most reality
shows is how good humored and resilient most of the participants are:
the American Idol rejectees stubbornly convinced of their own talent,
the Fear Factor players walking away from vats of insects like Olympic
champions. What finally bothers their detractors is, perhaps, not that
these people are humiliated but that they are not."[80]
Participation of children
Criticism, and a legal inquiry, were raised regarding the
participation of the Gosselin children in the 2007-2011 series
Jon & Kate Plus 8 (later renamed Kate Plus 8), as to
whether or not the children were exploited or were under emotional
distress.[81]
At the time the show was being filmed there were no clear laws in
Pennsylvania (where the Gosselins resided) regarding a child's
appearance on a reality show.[82]
However, Pennsylvania law permits children who are at least seven years
old to work in the entertainment industry, as long as certain guidelines
are followed and a permit is obtained. For example, children may not
work after 11:30 PM under most circumstances, or perform in any location
that serves alcohol.[82]
Both parents defended the children's involvement, stating they were
happy and healthy.[81][83]
TLC released a statement saying that the network "fully complies with
all applicable laws and regulations" to produce the show.[82]
The 2009
balloon boy hoax, in which a father pretended that his six-year-old
son was caught in an out-of-control helium balloon, reportedly in order
to get publicity in order to get the family back into the reality-show
business (after two appearances on ABC's
Wife Swap), also raised questions about the exploitation of
children. In an interview with the Denver Post, child
psychologist Alan Zimmerman said, "Using your family or children to
please the masses, or producers of mass entertainment who want ratings
and a good bottom line, is inherently risky [...] They are by definition
a commodity in a profit-oriented business." The same article quoted
psychologist Jamie Huysman as saying, "It is exploitation [...] Nobody
wants to watch normal behavior. Kids have to be co-conspirators to get
the camera to stay on."[84]
Youth audience
In 2006, four of the ten most popular programs among viewers under 17
were reality shows.[85]
Studies have shown that young people emulate the behavior displayed on
these programs, gathering much of their knowledge of the social world,
particularly about consumer practices, from television.[86][87][88]
In 2007, according to the
Learning and Skills Council, one in seven UK teenagers hoped to gain
fame by appearing on reality television.[89]
Similar works in popular culture
A number of fictional works since the 1940s have contained elements
similar to elements of reality television. They tended to be set in a
dystopian future, with subjects being recorded against their will,
and often involved violence.
- "The Seventh Victim" (1953) was a short story by science fiction
author
Robert Sheckley that depicted a futuristic game in which one
player gets to hunt down another player and kill him. The first
player who can score ten kills wins the grand prize. This story was
the basis for the Italian film
The 10th Victim (1965).
-
You're Another, a 1955 short story by
Damon Knight, is about a man who discovers that he is an actor
in a "livie", a live-action show that is viewed by billions of
people in the future.
-
A King in New York, a 1957 film written and directed by
Charlie Chaplin has the main character, a fictional European
monarch portrayed by Chaplin, secretly filmed while talking to
people at a New York cocktail party. The footage is later turned
into a television show within the film.
- "The Prize of Peril"[90]
(1958), another Robert Sheckley story, was about a television show
in which a contestant volunteers to be hunted for a week by trained
killers, with a large cash prize if he survives. It was adapted in
1970 as the TV movie Das Millionenspiel, and again in 1983 as
the movie
Le Prix du Danger.
-
Richard G. Stern's novel
Golk (1960) was about a hidden-camera show similar to
Candid Camera.
- "It Could Be You" (1964), a short story by Australian Frank
Roberts, features a day-in-day-out televised blood sport.
- Survivor (1965), a science fiction story by Walter F.
Moudy, depicted the 2050 "Olympic War Games" between Russia and the
United States. The games are fought to show the world the futility
of war and thus deter further conflict. Each side has one hundred
soldiers who fight in a large natural arena. The goal is for one
side to wipe out the other; the few who survive the battle become
heroes. The games are televised, complete with color commentary
discussing tactics, soldiers' personal backgrounds, and slow-motion
replays of their deaths.
- "Bread
and Circuses" (1968) was an episode of the TV show
Star Trek in which the crew visits a planet resembling the
Roman Empire, but with 20th-century technology. The planet's
"Empire TV" features regular
gladiatorial games, with the announcer urging viewers at home to
vote for their favorites, stating, "This is your program. You pick
the winner."
-
The Year of the Sex Olympics (1968) was a
BBC
television play in which a dissident in a dictatorship is forced
onto a secluded island and taped for a reality show in order to keep
the masses entertained.
-
The Unsleeping Eye (1973), a novel by
D.G. Compton (also published as The Continuous Katherine
Mortenhoe), was about a woman dying of cancer whose last days
are recorded without her knowledge for a television show. It was
later adapted as the 1980 movie
Death Watch.
- "Ladies And Gentlemen, This Is Your Crisis" (1976) was a short
story by science fiction author
Kate Wilhelm about a television show in which contestants
(including a B-list actress who is hoping to revitalize her career)
attempt to make their way to a checkpoint after being dropped off in
the Alaskan wilderness, while being filmed and broadcast around the
clock through an entire weekend. The story focuses primarily on the
show's effect on a couple whose domestic tensions and eventual
reconciliation parallel the dangers faced by the contestants.
-
Network (1976) includes a subplot in which network
executives negotiate with an urban terrorist group for the
production of a weekly series, each episode of which was to feature
an act of terrorism.
-
The Running Man (1982) was a book by
Stephen King depicting a game show in which a contestant flees
around the world from "hunters" trying to chase him down and kill
him; it has been speculated that the book was inspired by
Robert Sheckley's The Prize of Peril. The book was
loosely adapted as a
1987 movie of the same name. The movie removed most of the
reality-TV element of the book: its competition now took place
entirely within a large TV studio, and more closely resembled an
athletic competition (though a deadly one).
- The film
20 Minutes into the Future (1985), and the spin-off TV show
Max Headroom, revolved around television mainly based on
live, often candid, broadcasts. In one episode of Max Headroom,
"Academy", the character Blank Reg fights for his life on a
courtroom game show, with the audience deciding his fate.
-
Vengeance on Varos (1985) was an episode of the TV show
Doctor Who in which the population of a planet watches live
TV broadcasts of the torture and executions of those who oppose the
government. The planet's political system is based on the leaders
themselves facing disintegration if the population votes 'no' to
their propositions.
Pop culture
references
Some scripted and written works have used reality television as a
plot device:
Films
Television
-
The Comeback (2005) satirizes the indignity of reality TV by
presenting itself as "raw footage" of a new reality show documenting
the attempted comeback of has-been star
Valerie Cherish.
-
Total Drama Island (2007) is a Canadian animated series that
depicts teenagers on a Survivor like reality series.
-
Rock Rivals (2008) is a British television show about two
judges on a televised singing contest whose marriage is falling
apart.
Books
Other influences on popular culture
A number of scripted television shows have taken the form of
documentary-type reality TV shows, in "mockumentary"
style. The first such show was the
BBC series
Operation Good Guys, which premiered in 1997. Other examples
include
The Games,
People Like Us,
Trailer Park Boys,
The
Office,
Modern Family,
Drawn Together,
Summer Heights High,
Total Drama Island,
Parks and Recreation,
Reno 911! and
Come Fly With Me.
Some feature films have been produced that use some of the
conventions of reality television; such films are sometimes referred to
as
reality films, and sometimes simply as documentaries.[94]
Allen Funt's 1970 hidden camera movie
What Do You Say to a Naked Lady? was based on his
reality-television show Candid Camera. The TV show
Jackass spawned four films:
Jackass: The Movie in 2001,
Jackass: Number Two in 2006,
Jackass 2.5 in late 2007, and
Jackass 3D in 2010. A similar show,
Extreme Duudsonit, was adapted for the film
The Dudesons Movie in 2006. The producers of The Real World
created
The Real Cancun in 2003. Games People Play: New York was
released in 2004.
In 2007, broadcaster
Krishnan Guru-Murthy stated that reality television is "a firm and
embedded part of television's vocabulary, used in every genre from
game-shows and drama to news and current affairs."[95]
The
mumblecore film genre, which began in the mid-2000s, and uses video
cameras and relies heavily on improvisation and non-professional actors,
has been described as influenced in part by what one critic called "the
spring-break psychodrama of MTV's The Real World". Mumblecore
director
Joe Swanberg has said, "As annoying as reality TV is, it's been
really good for filmmakers because it got mainstream audiences used to
watching shaky camerawork and different kinds of situations."[96]
See also
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Further reading
External links
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