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WIKIMAG n. 9 - Agosto 2013
Jennifer Lopez
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- Togli il segno di spunta per disattivarla
Jennifer Lopez |
|
Born |
Jennifer Lynn Lopez
July 24, 1969 (age 44)
The Bronx,
New York, U.S. |
Occupation |
- Actress
- dancer
- fashion designer
- perfumer
- philanthropist
- producer
- recording artist
- television personality
|
Years active |
1986–present |
Net worth |
$250 million[1] |
Spouse(s) |
Ojani Noa (m. 1997–1998)
Cris Judd (m. 2001–2003)
Marc Anthony (m. 2004) |
Children |
2 |
Relatives |
Lynda Lopez |
Musical career |
Genres |
|
Instruments |
|
Labels |
|
Associated acts |
|
Website |
jenniferlopez.com |
Jennifer Lynn Muñiz (née
Lopez; born July 24, 1969) is an American businesswoman,
entertainer, philanthropist and producer. She became interested in
pursuing a career in the entertainment industry following a minor role
in the 1986 film
My Little Girl, to the dismay of her
Puerto Rican parents, who believed that it was an unrealistic career
route for a Hispanic. Lopez gained her first regular high-profile job as
a
Fly Girl dancer on
In Living Color in 1991, where she remained a regular until she
decided to pursue an acting career in 1993. She received her first
leading role in the
Selena
biopic
of the same name in 1997. Lopez became the first Latina actress to
earn over $1 million for a role the following year, with the film
Out of Sight. She ventured into the music industry in 1999 with
her debut studio album,
On the
6, joining a select few in successfully converting from a film
to a music career.
With the simultaneous release of her second studio album
J.Lo and her film
The Wedding Planner in 2001, Lopez became the first person to
have a number one album and film in the same week. Her 2002 remix album,
J to tha L–O! The Remixes, was the first in history to debut at
number one on the US
Billboard 200, while her fifth studio album,
Como Ama una Mujer (2007), received the highest first-week sales
for a Spanish album in the United States. Lopez has established herself
as a prominent figure in both the film and music industry, in a career
spanning four decades. With records sales of 75 million and a cumulative
film gross of over $2 billion, Lopez is regarded as the most influential
Hispanic performer in the United States, as well as the highest-paid
Latin actress.[3]
As of 2013,
Forbes
ranks her as one of the "10 Most Powerful Musicians" and "World's Most
Powerful Women".[4][5]
Lopez's public image and personal relationships have attracted
worldwide media attention. Lopez's first high profile relationship was
with media mogul
Sean Combs, who accompanied her to the
2000 Grammy Awards where she wore the infamous
Green Versace dress. She became romantically involved with actor
Ben Affleck, who would later become the muse of her third studio
album
This Is Me... Then (2002), while still married to her second
husband
Cris
Judd. Lopez wed long-time friend
Marc Anthony in 2004 and gave birth to their twins, Emme and
Maximilian, in February 2008. The entertainer has used her position as a
global icon of
pop culture to begin her own empire, consisting of various clothing
lines, accessories, fragrances,
a production company, television shows and a
charitable foundation among other activities. As of 2012, Lopez has
an estimated net worth of $250 million.[1]
Early life
Castle Hill, the neighborhood where Lopez was born and
raised
Jennifer Lynn Lopez was born on July 24, 1969, in the
Castle Hill neighborhood of
The
Bronx, New York.[6]
The middle child of
Puerto Rican parents Guadalupe Rodriguez and David Lopez, she has an
elder sister, Leslie, and a younger sister,
Lynda.[7]
David worked the night shift at the Guardian Insurance Company, before
becoming a computer technician at the firm, while Guadalupe was a
homemaker. When Lopez was born, the family was living in a small
apartment. A few years later, her parents had saved up enough money to
be able to purchase a two-story house, which was considered a big deal
for the relatively poor family.[8]
At the age of five, Lopez began taking singing and dancing lessons. She
toured New York with her school when she was seven years old.[9]
Her parents stressed the importance of work ethic and being able to
speak English. They encouraged their three daughters to put on
performances at home; singing and dancing in front of each other and
their friends so that they would stay "out of trouble".[9]
Lopez spent her entire academic career in Catholic schools, finishing at
Preston High School.[10]
In school, Lopez did gymnastics, ran track on a national level and was a
member of the school's softball team.[11]
She excelled athletically rather than academically, competing in
national track championships.[9]
In 1984, at the age of fifteen, she began dating David Cruz, her first
boyfriend.[8]
While attending her final year of high school, Lopez learned about a
film casting that was seeking several teenage girls for small roles. She
auditioned and was cast in
My Little Girl (1986), a low-budget film co-written and directed
by Connie Kaiserman.[12]
Lopez acted as Myra, a young woman at a center for troubled girls. After
she finished filming her role in the film, Lopez realized that she
wanted to become a "famous movie star".[8]
To please her parents, though, she enrolled in
Baruch College, only to drop out after one semester. She told her
parents her dream of becoming a movie star, but they ensisted that it
was a "really stupid" idea and that "no Latinos did that". The
differences in opinions led Lopez to move out of their family home and
into an apartment in
Manhattan. During this period, Lopez performed in regional
productions of the musicals: Jesus Christ, Superstar! and
Oklahoma. From there, she was hired for the chorus in a Golden
Musicals of Broadway, which toured Europe for five months. She was
unhappy with the role, as she was the only member of the chorus to not
have a solo. She later got a job on the show Synchronicity in
Japan, where she acted as a dancer, singer and a choreographer.[8]
Career
In Living Color and early film career (1991–96)
Lopez was selected as a backup dancer for the
New Kids on the Block in 1991 and performed with them during their
performance of "Games"
at the
8th Annual American Music Awards.[13]
Shortly after, Lopez gained her first regular high-profile job as a
Fly Girl dancer on the television program
In Living Color. She applied for the job after one of the cast
members was unavailable to continue with the show. Out of 2,000
applicants, Lopez made it to the finals. She was the runner-up, but
eventually received the role when the winner was unable to accept the
job. She moved with Cruz to Los Angeles to film the series and remained
a regular cast member until 1993 when she decided to pursue a full-time
acting career. Prior to leaving the show, Lopez briefly worked as a
backup dancer for American recording artist
Janet Jackson.[14]
Lopez was set to tour with Jackson on her
Janet World Tour in late 1993, but backed out as she wanted to do
her "own thing."[15]
Lopez received her first professional acting gig in the
direct-to-video drama film
Lost in the Wild (1993), co-starring alongside
Lindsay Wagner and
Robert Loggia.[16]
Later in 1993 Lopez signed a deal with
CBS to
co-star in the television series
Second Chances. The show was cancelled after airing only six
episodes, due to its set being destroyed by the
1994 Northridge earthquake.[17]
A spin-off of the series, entitled
Hotel Malibu was launched later that same year. It also ran for
only a brief period of time and, like Second Chances, received
negative reviews.[18][19]
Lopez received her first major big-screen role in
Gregory Nava's 1995 drama
My Family, portraying Young Maria.[20]
The film, which stars
Esai Morales,
Jimmy Smits and
Edward James Olmos, was critically acclaimed.[21]
Although her role was uncredited, Lopez received an
Independent Spirit Award for Best Supporting Female nomination for
her performance.[20]
In November, Lopez starred in
Money Train alongside
Wesley Snipes and
Woody Harrelson, as
New York City transit cops. The film faced negative reviews and is
considered to be a
box office bomb; with a budget of $68 million, the film grossed a
total of $77 million worldwide.[22][23]
In August 1996, Lopez had a supporting role in the comedy
Jack.[24]
With a budget of $45 million, the film grossed a total of $59
domestically.[25]
The film received generally negative reviews.[26]
Breakthrough with Selena and On the 6 (1997–2000)
In February 1997, Lopez starred alongside
Jack Nicholson and
Stephen Dorff in the
neo-noir thriller
Blood and Wine.[27]
It was a commercial failure; the $26 million production budget was
matched with a domestic gross of $1 million at the box office.[28]
The film received generally positive reviews from critics.[29]
Lopez starred as the title role of the
Selena
biopic
of the same name in March.[30]
Despite having previously worked with the film's director on My
Family, Lopez was subjected to an intense auditioning process before
she was cast in the film.[31]
With a production budget of $20 million, the film grossed a total of $35
million domestically.[32]
Kenneth Turan of the
Los Angeles Times stated that even in the "forgettable films"
Money Train and Jack, Lopez's "presence and ability made her
seem just one role away from stardom" and with Selena she's
"seized the opportunity and turned in an incandescent presentation that
is especially strong during the film's numerous musical numbers". He
concluded by calling the film not just a celebration of Selena's life,
but also of the actress who portrayed her.[33]
After filming Selena, Lopez was "really feeling [her] Latin
roots" and cut a demo in Spanish.[34]
Lopez's manager then sent the song, entitled "Vivir Sin Ti", to
Sony Music Entertainment's
Work Group, who showed an interest in signing Lopez.
Tommy Mottola, the head of the label suggested to her that she sing
in English instead.[35]
In April, Lopez starred in the horror film
Anaconda alongside
Ice
Cube and
Jon
Voight.[36]
With a production budget of $45 million, the film grossed a total of
$137 million worldwide, becoming a commercial success.[37]
Lopez starred alongside
Sean
Penn and
Billy Bob Thornton in the crime film
U Turn in October. The film, which is based on the novel
Stray Dogs by
John Ridley, received generally positive reception from critics.[38]
In June, Lopez starred opposite
George Clooney in
Out of Sight,
Steven Soderbergh's adaptation of
Elmore Leonard's novel of the same name (1996).[39]
Cast as a deputy federal marshal who falls for a charming criminal,
Lopez won rave reviews for her performance and became the first Latina
actress to earn over $1 million for a role.[40]
With a production budget of $48 million, the film grossed a total of $78
million worldwide, becoming a moderate commercial success.[41]
Lopez provided the voice of Azteca in the computer-animated film
Antz in
October.[42]
With a production budget of $105 million, the film grossed a total of
$172 million worldwide.[43]
Lopez's debut single, "If
You Had My Love", was released in May 1999, as she began to ready
her first album.[44][45]
Lopez became the first artist to top the Billboard Hot 100 with
their debut single since
Britney Spears did so with her single, "...Baby
One More Time", four months prior.[46]
During production of her debut album
On the
6, Lopez was aware that she received her recording contract on
the premise of her looks and having an already established name in the
entertainment industry, and wanted to prove she had musical talent.[47]
Prior to the debut of her music, critics wondered why she would take the
risk of launching a music career. It was noted that: "If the album was a
flop, not only would it embarrass Lopez, but it might even damage her
career."[48]
"Waiting
for Tonight", the third single from On the 6, is widely
considered to be Lopez's best song.[49]
The song was used frequently as a celebratory anthem for the dawn of the
new millennium.[50]
Lopez's musical success came as a surprise to critics; its launch made
the "popular actor even more popular". Both the music industry and the
public became intrigued by "this woman who seemed to have so many
different talents".[48]
By the end of 1999, Lopez successfully converted herself from a film
star to a pop star.[51]
She joined a select few in achieving this feat, becoming the first since
Vanessa Williams (1992) and
Martika
(1989).[46]
Lopez, in the accompaniment of then-boyfriend
Sean Combs, wore a plunging exotic green
Versace
silk chiffon dress on the red carpet of the
42nd Grammy Awards on February 22, 2000. The dress "had a low-cut
neck that extended several inches below her navel, where it was loosely
fastened with a sparkly brooch and then opened out again," exposing her
midriff and then as cut along the front of the legs like a bath robe.[52]
The dress generated controversy and media attention, with images of
Lopez in the dress being downloaded from the Grammy website over half a
million times 24 hours after the event.[53]
Lopez was surprised by the enormous media coverage, declaring that she
had no idea "it was going to become such a big deal".[54]
Lopez returned to the big-screen in August, starring in the
psychological thriller
The
Cell opposite
Vincent D'Onofrio.[55]
With a production budget of $33 million, the film grossed a total of
$104 million worldwide.[56]
The film received mixed reviews from critics, who stated that although
it offers "disturbing, stunning eye candy", it is "undermined by a weak
and shallow plotline that offers nothing new".[57]
Heightened success, J.Lo and This Is Me... Then (2001–03)
During the process of creating her second album, Lopez decided to
tweak her image as she began to develop into a
sex
symbol. She changed her stage name to J.Lo, a nickname she was given
by her fans.[58]
She subsequently named the album
J.Lo, which was released on January 22, 2001. The record was a
commercial success, debuting at number one on the United States
Billboard 200.[59]
This exact week, her romantic comedy film
The Wedding Planner in which she starred opposite
Matthew McConaughey, opened atop the box office. This made her the
first entertainer to have a number one film and album simultaneously.[60]
The album initially spawned the hit singles "Love
Don't Cost a Thing" and "Play".
April 2001 saw the public launch of
J.Lo by Jennifer Lopez, her own clothing and accessory company which
specialized in clothing females of all shapes.[58]
That May, Lopez starred in the romantic drama film
Angel Eyes, which performed disappointingly at the box office
and generated mixed reviews.[61]
In July, an urban oriented
"Murder remix" of the track "I'm
Real" featuring
Ja Rule
was released. The remix reached number one on the Billboard Hot
100.[62]
Following the
September 11 attacks, Lopez was heavily involved in charitable
activities. Joining various other artists, she was featured on
charitable singles such as "What's
Going On" and "El
Ultimo Adios (The Last Goodbye)" which benefited people affected by
the tragedy.[63][64]
To enhance Lopez's success in the urban market, promotion of J.Lo
ended and a remix album entitled
J to tha L–O! The Remixes was released on February 5, 2002.[65][66]
Its lead single was "Ain't
It Funny (Murder Remix)", which also featured Ja Rule, which reached
number one in the United States. The remix album debuted at the summit
of the Billboard 200, becoming the first to do so.[67]
It is the third highest selling remix album in history, with sales of
one and a half million in the United States.[68]
J to tha L–O! The Remixes spawned two other singles, "I'm
Gonna Be Alright" and "Alive",
a ballad co-written by her husband at the time, Cris Judd. April 2002
saw Lopez open her restaurant, Madrè's.[58]
In May 2002, Lopez starred in the thriller film
Enough as a woman named Slim who flees her home after being
abused by her husband. The film grossed a modest $52 million at the box
office,[69]
though garnered lukewarm reviews, despite being dubbed a "kick-butt,
female empowerment" movie.[70]
Filming Enough required an overworked Lopez to practice
Krav
Maga, and despite being at the height of her fame at the time, she
suffered a
nervous breakdown while on set. Lopez recalled years later feeling
"sick and weird", refusing therapeutic help or medication. She
confessed, "I was like – I don't want to move, I don't want to talk, I
don't want to do anything."[71]
In September, Lopez released her first fragrance,
Glow by JLo. It performed strongly despite predictions that it would
fail, and became America's top-selling fragrance.[72]
The month of her engagement to actor Ben Affleck saw the release of
her third studio album,
This Is Me... Then, which was dedicated to him.[73]
It spawned the internationally successful singles "Jenny
from the Block" and "All
I Have". The album itself, which featured multiple love songs,[73]
performed strongly, having sold over two and a half million copies in
the United States.[68]
December 2002 saw Lopez star opposite
Ralph Fiennes in the romantic comedy film
Maid in Manhattan. She played Marisa Ventura, a struggling
single mother who lives in the Bronx and makes her living cleaning rooms
in a super-luxurious Manhattan hotel. Marisa gets mistaken for a
socialite by a princely politician, who she falls in love with.[74]
With a production budget of $55 million, the film grossed $155 million
at the box office worldwide.[75]
The New York Times compared the film's storyline to her song
"Jenny from the Block".[76]
Lopez starred opposite Affleck in the romantic comedy
Gigli
in August 2003. With a production budget of $54 million, the film
grossed a total of $7 million worldwide, becoming a
box office bomb.[77]
The film received universally negative reviews from film critics, who
deemed it to be "bizarre and clumsily plotted".[78]
Gilgi is often considered to be
one of the worst films of all time.[79][80]
Continued film success, Rebirth and Como Ama una Mujer
(2004–09)
In March 2004, Lopez had a minor role in the film
Jersey Girl, alongside Affleck. Her character, Gertrude Steiney,
dies during childbirth within the first 15 minutes of the film. From the
intense media scrutiny following the couple's break-up, it was noted
that "they may need to put Lopez in a coffin on the poster if they want
anyone to come".[81]
With a production budget of $35 million, the film was a commercial
failure, earning a total of $36 million at the box office.[82]
The film, however, received generally positive reviews from critics,
despite being "full of cloyingly sentimental cliches".[83]
In October, Lopez co-starred alongside
Richard Gere in the drama
Shall We Dance?, a re-make of the
1996 Japanese film of the same title. With a production budget of
$50 million, the film grossed a total of $170 million worldwide.[84]
It received generally positive reviews from critics, although it was
noted that it "loses the nuances of the original", with the loss of
cultural context and the addition of high-profile celebrities.[85]
In 2004, during low-key visits to the
Children's Hospital Los Angeles, which Lopez is an avid support of,
she befriended eleven-year-old cancer patient Paige Patterson. Patterson
attended the inaugural Noche de Niños gala for the hospital in which
Lopez was presented with an award, however the morning after became even
more sick and died in November 2004. Lopez has stated that Patterson
made her realize why her charity work is important.[86]
Lopez dedicated
Rebirth, her fourth studio album, to Patterson.[87]
According to Lopez, Rebirth "came about because I was on such a
roller-coaster ride, that was my career from my first album to my last
album, and I did a bunch of movie projects in between. I finally took
some time just for myself, and [when] I came back, this was the first
project I did. I felt like it was a new beginning for me, like I was, in
a way, reborn. I was where I was when I made my first album".[88]
Tracy Hopkins of NBC's
Today Music
noted that after "fawning" over Affleck on This Is Me... Then",
Lopez "wisely keeps her love life out of the spotlight" on Rebirth
and only references her relationship with Anthony on a few tracks.[89]
In May, Lopez starred alongside
Jane Fonda in the romantic comedy
Monster-in-Law. She received $15 million for her role as
Charlie, an artist who is pitted against her fiance's mother when she
does not accept her as being the right woman for her son.[90][91]
With a production budget of $43 million, the film grossed a total of
$155 million worldwide.[92]
The film received generally negative reviews from film critics, who
stated although Fonda "steals the show" in her "return to the screen",
the "tired" script and "flimsy performances" make Monster-in-Law
fall "flat".[93]
In August, Lopez starred alongside
Robert Redford and
Morgan Freeman in
An Unfinished Life, a drama film based on the novel of the same
name. The film was a commercial failure, only grossing $18 million
worldwide with its production budget of $30 million.[94]
Bordertown, a film based on the
Female homicides in Ciudad Juárez, made its premiere at the
Cannes Film Festival on May 18, 2006. Lopez, who also acts as the
film's producer, stars as Lauren Adrian, an American news reporter for
the Chicago Sentinel who wants to be assigned to the Iraq front-lines to
cover the war.[95]
The film received a
limited release in theaters throughout Europe in 2007 and a
direct-to-video release in many other countries in 2008, including
the United States. Bordertown was a commercial failure, grossing
a total of $8 million worldwide, with its $21 million production budget.[96][97]
DanceLife, a reality series following the lives of seven dancers
trying to break into the world of professional dance, aired on MTV from
January 15 to March 5, 2007. Lopez produced, created and was featured in
the show.[98]
According to the album's co-producer Estéfano, Lopez's fifth studio
album
Como Ama una Mujer would "prove critics wrong" with its "big
songs that require a voice"; referring to the criticism of Lopez having
a "limited" vocal tone.[99][100]
The album received the highest first-week sales in the United States for
a Spanish album and the highest digital sales.[101]
Lopez and Anthony launched their
co-headlining North American concert tour on September 28. The tour
grossed an estimated $10 million, with one dollar from each ticket sold
being donated to Run for Something Better—a charitable organization
supporting physical fitness programs for children.[102][103]
Lopez's sixth studio album
Brave, released in October, become her lowest-charting album
worldwide.[104]
A five-part
miniseries,
Jennifer Lopez Presents: Como Ama una Mujer, based on the lyrics
of Como Ama una Mujer aired on
Univision from October 30 to November 27, 2007.
Career rejuvenation, American Idol and touring (2010–12)
Lopez parted ways with Epic Records in February 2010, citing that she
had fulfilled her contractual obligations and now wished to release her
seventh studio album
Love?
under a new label.[105]
Her departure from the label temporarily halted production on the album,
which commenced in 2009. Upon signing a new contract with
Island Records, recording resumed on the album.[106]
The
New York Daily News revealed that Lopez would be taking some of
the records recorded under Sony Music Entertainment to her new label so
that they could be included on the album.[107]
In April, Lopez starred in the romantic comedy
The Back-up Plan, her first theatrical role in three years.[108]
Having grossed a modest $77 million worldwide, the film received
lukewarm critical reviews for "unrelatable characters" and a
"predictable plot", although Lopez's acting was praised.[109][110]
In June, following the departure of
Ellen DeGeneres from
American Idol, it was reported that Lopez was in talks to join
season ten's judging panel.[111][112][113]
During this same time, Lopez and Anthony were being considered for a
role on
The X Factor for their appeal to Latin and International
markets.[114]
It was officially announced in September that Lopez would be joining the
tenth season of American Idol. MTV stated that the deal was
"mutually beneficial to all those involved", while
CNN reported
that Lopez was viewing it as a decision to revive her career, while
American Idol producers believed that Lopez and
Steven Tyler's appointments would strengthen viewing figures.[115]
In October, Lopez released her fourteenth fragrance, Love and Glamour.
The perfume was inspired by Lopez's forthcoming "return to the
spotlight".[116]
L'Oreal Paris named Lopez their new Global Ambassador and the face
of their brands, including EverPure hair care, Preference hair color and
Youth Code skin care. Her EverSleek hair care ads made their debut in
early 2011, to coincide with the release of Love? and her debut
as a judge on American Idol.[117]
To further promote her comeback, in February,
Venus
chose Lopez as their new Global Ambassador.[118]
Lopez's comeback single "On
the Floor" was released later that same month. The song topped the
charts across the globe, becoming one of the most successful singles of
the year.[119]
The song also became her highest charting single commercial single as a
lead artist, as well as her most successful airplay hit on
contemporary hit radio, since "Jenny from the Block".[120]
Love?, which was released in May, was a moderate commercial
success, and was viewed as a humble comeback from Lopez, as many had
considered her recording career over.[104]
Lopez launched her next fragrance Love and Light in July, exclusively on
HSN. 51,000 bottles of the fragrance were sold at its premiere, becoming
Lopez's most successful fragrance launch to date, making over $2.9
million.[121]
In September, Lopez launched the
Jennifer Lopez Collection, a clothing and accessories line for
Kohl's
with
Tommy Hilfiger.[122]
In addition to the clothing line, she also launched the Jennifer Lopez
Home Collection, featuring bedding, towels and luggage.[123]
Later that same month
Fiat, an
Italian automobile manufacturer, enlisted Lopez to promote their
products, including the
2012 Fiat 500 Cabrio. Olivier Francois, the
Chrysler chief marketing officer, stated that she "fits perfectly
with the brand".[124]
In January 2012, Lopez returned as judge on the
eleventh season of American Idol, earning a reported $20
million.[125]
Later that same month, a new talent show,
¡Q'Viva! The Chosen, created by
Simon Fuller premiered on
Univision and was a hit for the channel.[126][127]
It followed Lopez, Anthony and director-choeographer
Jamie King as they travelled across 21 countries in Latin America to
find new talent for a
Las Vegas show. On May 18, Lopez returned to the big screen starring
alongside an
ensemble cast consisting of
Cameron Diaz,
Elizabeth Banks,
Matthew Morrison and
Dennis Quaid in the film
What to Expect When You're Expecting.[128]
Based on the
novel of the same name, Lopez plays Holly, a woman who adopts a baby
from abroad with her husband after difficulty conceiving. The film was a
moderate success at the box office with a total gross of $84 million,
though received negative reviews.[129][130]
In late May, Lopez released her fragrance Glowing by JLo, which she
described as an "evolution" of Glow by JLo.[131]
Lopez launched the
Dance Again World Tour, her first headlining concert tour, on June
14.[132]
On July 12, Lopez launched
Teeology, a luxury
T-shirt
e-commerce.[133]
Lopez voiced Shira, a saber tooth tiger, in the animated film,
Ice Age: Continental Drift, the fourth film in the
Ice Age franchise.[134]
The film debuted at number one at the US box office, having grossed $46
million in its opening weekend, becoming Lopez's highest opening weekend
figure.[135]
With a $95 million production budget, the film has since grossed $877
million worldwide.[136]
Lopez's first greatest hits album,
Dance Again... the Hits, was released on July 24, 2012 in the
United States.[137]
It was released by Epic Records, as Lopez owed them one final album to
end her contract, despite previously announcing that she had fulfilled
her contract with the label.[138]
Lopez, who was going through a divorce with Anthony and the "breakup of
a family", felt as if the album's sole single, "Dance
Again", had come to her at the "perfect moment".[139][140]
"Dance Again" and "Goin'
In", a single from the soundtrack of the dance film
Step Up Revolution, both reached the top of the Billboard
Hot Dance Club Songs, giving Lopez her twelfth and thirteenth number one
on that chart, respectively. Additionally, "Goin' In" became her tenth
consecutive number one on the chart, tying
Katy Perry for having the most consecutive numbers ones on the
chart.[141]
nuvoTV
announced in September its premier partnership with Lopez, that will see
her work on the creative side of the network, managing marketing and
program production with her production company,
Nuyorican Productions, as well as periodically appearing in network
programming.[142][143]
In December, Lopez held a charity drive that would affect her three
favorite charities: the
Gloria Wise Boys and Girls Club, the Children's Hospital of Los
Angeles as well as the
American Red Cross which would mainly benefit victims of
Hurricane Sandy which devastated parts of her home town, New York
City.[144]
Eighth studio album and other ventures (2013)
RedOne is the executive producer of Lopez's upcoming eight studio
album, which he states will be "very special" for combining all of her
genres including urban/hip hop, dance, rhythmic and Latin.[145]
The album, currently still being recorded, will be released in November
2013. "Live
It Up" featuring Pitbull, released on May 8, 2013, serves as the
lead single to Lopez's eighth album, for which Lopez has moved to
Capitol Records and RedOne's
2101 Records to release.[146]
Lopez starred alongside
Jason Statham as Leslie in the crime thriller
Parker, which was released on January 25, 2013.[147]
Her performance was positively reviewed, with
The Chicago Tribune commending the role for giving Lopez "an
opportunity to be dramatic, romantic, funny, depressed, euphoric and
violent. The audience stays with her all the way".[148]
However, the film under-performed at the box office.[149]
On February 10, Lopez gained widespread notoriety for wearing a "daring"
black dress at the
Grammy Awards which revealed her entire right leg and hip; despite a
conservative dress code which had been issued by the
CBS Network earlier.[150]
"There's a big revolution going on, it's like a media and
cultural revolution of Latinos here in the United States.
We're realizing our power. We're realizing that we matter
here."
On May 25, Lopez was announced as the
chief creative officer of nuvoTV. Furthermore, Lopez founded the
mobile phone retail brand
Viva Móvil, which is catered specifically for Latinos.[152]
Lopez has stated that she wants to empower the Latino community through
these media ventures, stating: "We're realizing our power. We're
realizing that we matter here. You know, we're not just, you know, the
guys working behind the scenes in the kitchens and as a plumber".[151]
She began lobbying for more Hispanic diversity on television, stating:
"[We're] growing as a community and we've come into a place where we
deserve to be considered and served and catered to".[153]
Inspired by her homosexual aunt who had recently died, Lopez signed on
as executive producer of the television series
The Fosters, which is about a
same sex couple raising a family.[154]
The show premiered on
ABC
Family on June 3, 2013, and has since been a ratings success for the
network.[155]
Later that June, Lopez performed at the birthday of
Turkmenistan President
Gurbanguly Berdymukhamedov.[156]
Doing so, she garnered widespread backlash for performing for the leader
of a "repressive, authoritarian regime", with the
Human Rights Foundation expressing disappointment. The public also
expressed their fury with a number of posts on social media.[157]
Lopez's publicist hastily released an apology, stating that she would
not have attended "had there been knowledge of human rights issues" in
the country.[156]
Lopez is set to release her twentieth fragrance "JLove" in 2013.[158]
Artistry
Musical style
Lopez has explored various musical genres over the course of her
career; this includes Latin pop, dance, R&B, hip hop, rock, funk, house
and salsa among others. Often in collaboration with songwriter
Cory Rooney—according to Ed Morales in The Latin Beat: The
Rhythms And Roots Of Latin Music From Bossa Nova To Salsa And Beyond
(2003)—Lopez's music is often experimental of her Nuyorican point of
view: she explores the romantic innocence of Latin music while feeling a
stronger identification towards hip hop.[159]
Lopez was exposed to traditional Latin pop music styles ranging from
salsa to
bachata as a child, though it was hip hop music such as the 1979
song "Rapper's
Delight" by hip hop trio
The Sugarhill Gang that "changed" her life. As she forayed into the
music industry, she infused the Latin music she grew up with together
with the hip hop sound she loved, which she dubbed
Latin soul.[160]
Her first two albums included funk, dance and urban music as well as
sensual ballads and Spanish-language songs.[161][162][163]
The release of This Is Me... Then saw Lopez invest in adult
contemporary R&B music which was inspired by '70s music.[165]
Rebirth explored more hip hop and pop rock, utilizing stronger
use of percussion and horns, and introduced foreign genres to Lopez such
as African music. Her sixth and seventh studio albums, Brave and
Love?, delved further into a dance music direction.[166]
Love is the main focus of Lopez's music, although she has explored
themes such as dance, sex, female empowerment, friendship and
self-loathing.[167][168][169][170]
She often includes personal experiences in her songs, such as her
relationship with Ben Affleck on tracks "Dear Ben" and "He'll Be Back".[171][172][164]
Songs from Love? such as "Until
It Beats No More" and the personal "One
Love" are also based on Lopez's own love life.[173]
Lopez has been influenced by artists such as
Tina Turner,
James Brown,
Michael Jackson,
Madonna and
Barbra Streisand.[174][175][176]
Critics have considered Lopez's
soubrette vocal type to be limited.[177][178][179]
Having experienced insecurity about the strength of her voice herself,
Lopez has since grown in confidence, crediting Marc Anthony for helping
her "let it out".[180][181]
Rolling Stone observed: "Instead of strained vocal pyrotechnics,
Lopez sticks to the understated R&B murmur of a round-the-way superstar
who doesn't need to belt because she knows you're already paying
attention [...] Behold jiggy Jennifer Lopez, song-and-dance woman: She
makes a little va-va and a whole lot of voom go a long way".[182]
However,
Entertainment Weekly has criticized her singing voice for
lacking the trademark "husky-voiced voluptuousness" she has in her
films.[183]
Critics observe that Lopez's light vocals, though radio friendly, are
often obscured by glossy music production.[184]
The Baltimore Sun regards Lopez has having a breathy stylistic
range, though feels that her material lacks personality and that she
instead sounds similar to other artists such as
Janet Jackson and Madonna.[185]
Today Music opined: "like Madonna and Janet, people don’t listen
to J.Lo for the poignant lyrics—she’s best when riding a dance groove".[186]
Despite criticism,
Latina ranked Lopez thirteenth on "50 Best Latin Singers",
writing, "Whether it’s for her vocals, dramatic lyrics, or her pop dance
beats, we guarantee that everyone will stop to listen".[187]
Choreography
and stage
Lopez has felt a deep emotional connection to dance and choreography
since her childhood.[189]
While she was a child, she specialized in ballet, jazz and flamenco
dance genres.[190]
Lopez has been noted to have begun her career on the variety television
sketch comedy series
In Living Colour, where she was apart of a dance "troupe"
labeled The Fly Girls. The Fly Girls were branded as a group of
versatile and attractive female dancers whose ethnic backgrounds varied,
reflecting the broad base of interest in hip hop culture. There, Lopez
took part in hip hop choreographed skits that were unique for their
addition of "edgy" elements.[191]
Lopez briefly served as a back-up dancer to recording artist
Janet Jackson, who she claimed to have a considerable influence over
her choreography. After commencing her own music career, Lopez's
provocatively choreographed debut music video, "If You Had My Love",
allowed her to become a dominant figure on
Music Television
Networks worldwide, a field that had previously been consumed with
primarily Jackson and
Madonna.[192]
Since, Lopez has become well known for her body-emphasizing music videos
such as "Waiting
for Tonight", "I'm
Glad" and "Dance
Again" among others, which have been subject to mixed responses.[193]
Lopez exercised her dancing skills in the film Shall We Dance?
(2004), for which she had to learn a new genre: ballroom. Her fluency
and form received praise.[194]
Lopez often includes dance routines to her music videos.[195]
In a study of the successful Latina in relation to sex and dance,
author Priscilla Peña Ovalle observed in Dance and the Hollywood
Latina: Race, Sex and Stardom (2011), that Lopez utilized the
mythology of dance which makes the Latina star a "paradoxical figure".
Ovalle wrote: "[the] Latina star strikes a balance: by wielding her body
and its purported sexuality in familiar ways, she achieves agency in a
career and nation that would otherwise exclude and her and her
movement."[196]
Troy Patterson of Entertainment Weekly also noted Lopez for using
her body for emphasis, "She turned herself out as the fly girl
hyperversion of postfeminist power, flaunting her control by toying with
the threat of excess. In consequence, her star went supernova."[197]
Lopez and
Shakira are recognized for their signature moves which include
"clock-wise pivoting with salsa hip circles and sequential torso
undulations".[198]
Lopez is often noted for her choreography and high-energy provocative
stage performances, which have at times caused her to receive scrutiny
from the public.[199][200][201]
She often includes bodysuits as part of her performances.[202][203]
Though noted to lip sync in the early stages of her music career,
Lopez's Dance Again World Tour was praised for showcasing her live
vocals and choreography synchronously.[204][205][206]
In May 2013, Lopez's performance on the finale of the television series
Britain's Got Talent, which was deemed inappropriate and
over-raunchy for family-friendly television, drew official viewer
complaints to
Ofcom.[207][208]
Public image
Andrew Barker of
Variety observes that Lopez's image is constantly evolving,
opining that she exhibits "a plethora of contradictions" as a pop star.
Barker wrote, "Despite a carefully cultivated image as an imperious pop
empress in ludicrously expensive outfits, her signature hits bear the
titles "I’m Real" and "Jenny From the Block". She managed the perilous
transition from actress to music star without ever seeming to pick
either as a primary gig. She established herself as an oft-provocative
sex symbol while her demeanor made it abundantly clear that she’s not
asking you to come hither". Barker also notes that Lopez' first album
On the 6 explored futuristic musical genres such as
EDM and
Euro-pop, ten years before the dance music buzz would take over
mainstream music.[209]
While a dominant cultural icon, Lopez is also noted by Lynette Holloway
of
The New York Times to be subject to overexposure. She wrote:
"Forgive yourself if you are seeing Jennifer Lopez in your sleep. She is
everywhere". Holloway noted her image to be "a dash of ghetto
fabulousness here and a dash of middle-class respectability there to
give her mass appeal".[210]
A
pop icon, Lopez is considered "pop royalty" and triple threat.[211][212][213]
Television presenter
Ray Martin describes Lopez as a "showbiz phenomenon".[214]
Lopez has developed an image as a sex symbol and "one of the most
desirable women on the planet".[215]
Lopez, although, practices
Krav
Maga and has been trained at the level of a professional boxer.[216]
Famed by the media for her curvaceous figure,[217]
a survery run by
Nutrisystem revealed that American females wanted her thighs and
rear.[218]
Lopez has been widely recognized for her sex appeal, credited for
"showing off her body" and allowing women with curvaceous figures to be
accepted.[219]
Details magazine named her the "Sexiest Woman of the Year" in
1998,[220]
and she led
FHM's "100 Sexiest
Woman" list twice.[221]
In 2011, she was named "World's
Most Beautiful Women" by
People.[222]
Lopez was shocked, though pleased that a women her age who is above
forty was selected.[212]
In 2012,
Complex placed Lopez second on their list of "100 Hottest Female
Singers of All Time", writing: "Lopez has dominated the entertainment
industry and become the archetypal sexy singer. And Jenny from the Block
[...] isn't just an icon in the music and movie world, she's also a
trendsetter".[223]
The following year,
VH1 ranked
her the fourth on their list of "100 Sexiest Artists",[224]
while
Vibe magazine named her the most "lustable" celebrity of the
past twenty years.[225]
Lopez is known for her fashion sense, and has changed her personal
appearance multiple times, scoring several different looks over the
duration of her career.[226]
Her style is described by
Billboard's Lauren
Savage as scantily clad.[216]
Describing her fashion evolution, Lopez states that her style combines a
"boyish" hip hop look, a "sexy element", "classic things, movie stars"
and
Jackie O.[227]
However, Lopez has been criticized by the animal rights organization
PETA as well as celebrities such as
Pink and
Pamela Anderson for her use of fur in her fashion lines and outfits.[228][229][230]
She has also received bad publicity over rumors that she is a demanding
diva.[231][232][233]
She has constantly denied this.[212]
Lopez has also admitted to having a "less-than-perfect" public image,
attesting this to the types of aggressive roles she played in the films
Angel Eyes and Out of Sight.[234]
The media often draw comparisons between Lopez and actress
Elizabeth Taylor, due to her numerous failed relationships.[235]
Lynn Hirschberg of
W notes her image to contain "razzle-dazzle", and compared her
public persona to that of Taylor.[158]
Legacy
and cultural influence
Lopez is often credited with breaking racial barriers in the
entertainment industry, regarded as the most influential Hispanic
performer in the United States.[11]
The Record newspaper opined that Lopez is responsible for the
introduction of Latin presence in the film industry.[236]
In Icons of American Popular Culture: From P.T. Barnum to Jennifer
Lopez (2009), author Robert C. Cotrell describes Lopez as the
Hispanic version of
Oprah Winfrey, stating that she is the embodiment of the American
dream, "Boasting a far more authentic rags-to-riches tale" as a
"multidimensional artist who had turned into a financial powerhouse".[3]
In 2012,
Forbes
opined: "The Latina performer may be the most powerful entertainer on
the planet".[237]
Her critically acclaimed performance in the film Selena had a
profound effect on the younger generation of Latin performers, as Lopez
emerged as "one of the first in a generation of women in entertainment
to create a veritable empire".[238]
Lopez would later go on to become the highest-paid actress of Latin
descent, and is currently regarded by the
International Business Times as the wealthiest actress in
Hollywood, with a net worth of $250 million.[239]
Lopez's cultural importance has been recognized, with author
Priscilla Peña Ovalle stating that she "has arguably become the
century's most successful Latina by mobilizing the myth through
in-betweeness and racial mobility".[196]
Miriam Jiménez Román states in The Afro-Latin Reader: History and
Culture in the United States (2009) that Lopez is prominent in the
African American and Latin culture, noting that when her lyrical use of
the word
nigger generated controversy, "[she] was able to traverse the
difficult racial boundaries". Román considered her to represent the
suppressed history of hip hop culture which was "as much Jamaican and
Puerto Rican as African American".[240]
Lopez's foray into the music industry allowed her influence over the
Latin public to grow; she was credited with
Ricky Martin for beginning a trend in which Hispanic artists would
enter mainstream music with English lyrics.[241]
Around this time saw the emphasis of Lopez's curvaceous physique grow,
though scholar Sean Redmond wrote in Stardom and Celebrity (2007)
that this was a sign of her role and social power in the cultural
changes occurring in the United States.[242]
The
Daily Herald described Lopez as "crossover royalty" at the time.[243]
In February 2007,
People en Español named her the most influential Hispanic.[244]
VH1 ranked
Lopez at number 15 on a list of "200 Greatest Pop Culture Icons",[245]
number 16 on "100 Greatest Women In Music",[246]
and number 21 on "50 Greatest Women of the Video Era".[247]
With 75 million records sold worldwide,[248]
she has been
dubbed "Duchess of Reinvention" and "Goddess of Pop" for her musical
trends.[249][250]
Her remix album album J to tha L-O! The Remixes is the first
number one remix album in the United States, appearing in the
Guinness World Records for this feet.[251]
At the 2010
World Music Awards, Lopez was honored with the Legend Award for
outstanding contribution to the arts.[252]
Lopez's musical comeback in 2011 with her single "On the Floor"—which
became one of the
highest-selling singles of all time, while its music video became
the most-watched female music video in history—is regarded as one of the
greatest comebacks in history.[253]
Lopez remains the only entertainer to have a number one album and film
simultaneously in the United States.[254]
In 2013, Lopez was presented with the prestigious landmark 2,500th star
on the
Hollywood Walk of Fame for her musical contributions, with the
Los Angeles Times declaring, "It's hard to think of a more
emblematic figure of multitasking modern celebrity".[255]
Famed for her distinctive fashion style,
Us
Weekly named Lopez "Style Icon" of the 2000s decade.[256]
The
Green Versace "Jungle Dress" that she wore at the
42nd Grammy Awards in 2000 was voted the fifth most iconic dress of
all time in a poll run by
The Daily Telegraph.[257]
Lopez's style has influenced a range of celebrities.[258][259][260]
In addition, the success of her fragrances led to a trend in which other
celebrities endorsed fragrances in the twenty-first century.[261]
Lopez has been credited as an idol, inspiration or influence by a range
of entertainers, including
Jessica Alba,[262]
Kat
DeLuna,[263]
Kerry Washington,[264]
Becky G,[265]
Britney Spears,[266]
Q’orianka Kilcher,[267]
Selena Gomez,
[268]
Beyoncé Knowles,[269]
Raquel Castro,[270]
Karen Rodriguez,[271]
Layla
El,[272]
Mike Doughty,[273]
Stooshe,[274]
and
Pitbull.[275]
Personal life
For over fifteen years, Lopez's personal life has attracted
widespread media attention.[276]
From February 1997 to January 1998, she was married to Cuban actor Ojani
Noa.[277]
Since their brief marriage, Lopez has endured legal troubles regarding
Noa. She sued to prevent him from publishing a book about their marriage
in April 2006, contending that it violated their confidentiality
agreement.[278]
The following year, a court-appointed arbitrator issued a permanent
injunction forbidding Noa from "criticizing, denigrating, casting in a
negative light or otherwise disparaging" Lopez. She was awarded $545,000
in compensatory damages and Noa was ordered to hand over all copies of
materials related to the book to Lopez or her attorney.[279]
A lawsuit regarding a compromising private honeymoon video in Noa's
possession is presently running.[280]
While working on her first album On the 6, Lopez began dating
record producer and rapper
Sean Combs. On December 27, 1999, the couple were arrested along
with two others in connection with a shooting outside the
Times Square Club in
New
York. They were charged with criminal possession of a weapon as well
as stolen property. Lopez was soon exonerated, having had nothing to do
with the crime.[281]
However, Combs was charged and indicted by a
Manhattan
grand jury.[282]
After leaving Combs, Lopez developed a relationship with former back-up
dancer
Cris
Judd, whom she was married to from September 2001 to June 2002.[283]
Following her second divorce, she commenced a high-profile relationship
with actor and director
Ben Affleck, whom she became engaged to in November 2002.[284][285]
The media began to refer to them as "Bennifer" and they became a
prominent
supercouple in the media and popular culture. Bennifer became a
popular term, which was eventually entered into
urban dictionaries and
neologism dictionaries as notable,[286]
as the name blend started the trend of other celebrity couples being
referred to by the combination of their first names.[287]
The couple postponed their nuptials indefinitely a day prior to the
planned ceremony in September 2003, citing the media's interference with
the event as the reason.[288]
Following her break-up with Affleck in January 2004, Lopez began
dating long-time friend
Marc Anthony (born as Marco Antonio Muñiz). The couple wed that
June.[289][290]
Two men attempted to ransom a private wedding video which was stolen
from the couple for one million dollars; however they were arraigned in
Manhattan Criminal Court on charges of conspiracy, attempted grand
larceny and possession of stolen property.[291]
On November 7, 2007, during the final night of their co-headlining tour,
Lopez and Anthony officially confirmed that they were expecting their
first child.[292]
The announcement ended months of speculation over the pregnancy.[293]
Her father confirmed that the couple were expecting twins, revealing
that it runs in the family: "My sister also had twins, so it's a
hereditary thing".[294]
Lopez gave birth to a son, Maximilian David and a daughter, Emme
Maribel, in
Long Island, New York on February 22, 2008.[295][296]
The twins were introduced in the March 11, 2008 issue of People,
for which the magazine paid a reported $6 million — the photographs of
the twins became
the most expensive celebrity picture ever taken at the time.[297]
Three years later in July 2011, the couple announced their split, with
Anthony filing for divorce in April 2012.[298]
Since October 2011, Lopez has been in a relationship with her former
back-up dancer Casper Smart.[299]
Lopez has stated, "I am a non-traditional family. Me being a single mom,
their dad doesn't live at home with them. They have three stepbrothers
from two other mothers...that’s not traditional".[299]
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