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Lincoln (film)
-
Diwali
|
WIKIMAG n. 10 - Settembre 2013
Lincoln
(film)
Text is available under the
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Lincoln is a 2012 American
epic
historical drama film directed and co-produced by
Steven Spielberg, starring
Daniel Day-Lewis as
United States President
Abraham Lincoln and
Sally Field as
Mary Todd Lincoln.[4]
The film is based in part on
Doris Kearns Goodwin's biography
Team of Rivals: The Political Genius of Abraham Lincoln, and
covers the final four months of Lincoln's life, focusing on the
President's efforts in January 1865 to have the
Thirteenth Amendment to the United States Constitution passed by the
United States House of Representatives.
Filming began October 17, 2011,[5]
and ended on December 19, 2011.[6]
Lincoln premiered on October 8, 2012 at the
New York Film Festival. The film was released theatrically on
November 9, 2012, in select cities and widely released on November 16,
2012, in the United States by
DreamWorks through
Disney's
Touchstone Pictures distribution label.[7]
The film was released on January 25, 2013, in the United Kingdom, with
distribution in international territories, including the U.K., by
20th Century Fox.[8]
Lincoln received widespread critical acclaim, with major
praise directed to Day-Lewis' performance. In December 2012, the film
was nominated for seven
Golden Globe Awards including
Best Motion Picture – Drama,
Best Director for Spielberg and winning
Best Actor (Motion Picture – Drama) for Day-Lewis. At the
85th Academy Awards, the film was nominated for twelve
Academy Awards including
Best Picture; it won for
Best Production Design and
Best Actor for Day-Lewis.[9]
The film was also a commercial success, having grossed more than $275
million at the box office.[3]
Plot
Lincoln recounts
President
Abraham Lincoln's efforts, during January 1865, to obtain passage
for the
Thirteenth Amendment to the United States Constitution in the
United States House of Representatives, which would formally abolish
slavery in the country.
Expecting the
Civil War to end within a month but concerned that his 1863
Emancipation Proclamation may be discarded by the courts once the
war has concluded and the 13th Amendment defeated by the returning
slave states, Lincoln feels it is imperative to pass the amendment
by the end of January, thus removing any possibility that slaves who
have already been freed may be re-enslaved. The
Radical Republicans fear the amendment will merely be defeated by
some who wish to delay its passage; the support of the amendment by
Republicans in the border states is not yet assured either, since they
prioritize the issue of ending the war. Even if all of them are
ultimately brought on board, the amendment will still require the
support of several
Democratic congressmen if it is to pass. With dozens of Democrats
having just become
lame ducks after losing their re-election campaigns in the fall of
1864, some of Lincoln's advisors believe that he should wait until the
new Republican-heavy Congress is seated, presumably giving the amendment
an easier road to passage. Lincoln, however, remains adamant about
having the amendment in place and the issue of slavery settled before
the war is concluded and the southern states readmitted into the Union.
Lincoln's hopes for passage of the amendment rely upon the support of
the Republican Party founder
Francis Preston Blair, the only one whose influence can ensure that
all members of the western and border state conservative Republican
faction will back the amendment. With Union victory in the Civil War
seeming highly likely and greatly anticipated, but not yet a fully
accomplished fact, Blair is keen to end the hostilities as soon as
possible. Therefore, in return for his support, Blair insists that
Lincoln allow him to immediately engage the
Confederate government in peace negotiations. This is a complication
to Lincoln's amendment efforts since he knows that a significant portion
of the support he has garnered for the amendment is from the Radical
Republican faction for whom a negotiated peace that leaves slavery
intact is morally unacceptable. If there seems to be a realistic
possibility of ending the war even without guaranteeing the end of
slavery, the needed support for the amendment from the more conservative
wing (which does not favor abolition) will certainly fall away. Unable
to proceed without Blair's support, however, Lincoln reluctantly
authorizes Blair's mission.
In the meantime, Lincoln and
Secretary of State
William Seward work on the issue of securing the necessary
Democratic votes for the amendment. Lincoln suggests that they
concentrate on the lame duck Democrats, as they have already lost
re-election and thus will feel free to vote as they please, rather than
having to worry about how their vote will affect a future re-election
campaign. Since those members also will soon be in need of employment
and Lincoln will have many federal jobs to fill as he begins his second
term, he sees this as a tool he can use to his advantage. Though Lincoln
and Seward are unwilling to offer direct monetary
bribes to the Democrats, they authorize agents to quietly go about
contacting Democratic congressmen with offers of federal jobs in
exchange for their voting in favor of the amendment.
With Confederate envoys ready to meet with Lincoln, he instructs them
to be kept out of
Washington, as the amendment approaches a vote on the House floor.
At the moment of truth,
Thaddeus Stevens decides to moderate his statements about racial
equality to help the amendment's chances of passage. A rumor circulates
that there are Confederate representatives in Washington ready to
discuss peace, prompting both Democrats and conservative Republicans to
advocate postponing the vote on the amendment. Lincoln explicitly denies
that such envoys are in or will be in the city — technically a truthful
statement, since he had ordered them to be kept away — and the vote
proceeds, narrowly passing by a margin of two votes. When Lincoln
subsequently
meets with the Confederates, he tells them that slavery cannot be
restored as the North is united for ratification of the amendment, and
that several of the southern states' reconstructed legislatures would
also vote to ratify.
After the amendment's passage, the film's narrative shifts forward
two months, portraying Lincoln's visit to
the battlefield at
Petersburg, Virginia, where he exchanges a few words with
General Grant. Shortly thereafter, Grant receives
General Lee's surrender at
Appomattox Courthouse.
On the evening of April 14, 1865, Lincoln is in a meeting with
members of his cabinet, discussing possible future measures to
enfranchise blacks, when he is reminded that Mrs. Lincoln is waiting
to take them to their evening at
Ford's Theatre.
That night, while Tad Lincoln is viewing
Aladdin
and the Wonderful Lamp at
Grover's Theater, a man announces that the President has been
shot. The next morning his physician pronounces him dead. The film
concludes with a flashback to Lincoln delivering his
second inaugural address.
Cast
- Lincoln household
- Producer
Kathleen Kennedy described Day-Lewis's performance as
"remarkable" after 75% of the filming had been completed, and said,
"Every day you get the chills thinking that Lincoln is sitting there
right in front of you." Kennedy described Day-Lewis's
method acting immersion into the role: "He is very much deeply
invested and immersed throughout the day when he's in character, but
he's very accessible at the end of the day, once he can step outside
of it and not feel that – I mean, he's given huge scenes with
massive amounts of dialogue and he needs to stay in character, it's
a very, very performance-driven movie."[11]
His performance as Abraham Lincoln earned him his third
Academy Award for Best Actor.
- Field was first announced to join the cast as early as September
2007, but officially joined the cast in April 2011.[13]
Field said, "To have the opportunity to work with Steven Spielberg
and Daniel Day-Lewis and to play one of the most complicated and
colorful women in American history is simply as good as it gets."[14]
Spielberg said, "she has always been my first choice to portray all
the fragility and complexity that was Mary Todd Lincoln".[15]
Her performance as Mary Todd Lincoln earned her a nomination for the
Academy Award for Best Supporting Actress.
- Keckley was a former slave who was
dressmaker and
confidante to Mary Todd Lincoln.
- Robert Lincoln had recently left his studies at
Harvard Law School and was newly named a
Union Army captain and personal attendant to General Grant. He
returned to the
White House on April 14, 1865 to visit his family. His father
was assassinated that night.[18]
- White House
- House of Representatives
- A leader of the
Radical Republicans and a fervent abolitionist, Stevens feared
that Lincoln would "turn his back on emancipation."[18]
Jones' performance as Stevens earned him a nomination for the
Academy Award for Best Supporting Actor.
- Republican Party
- Blair was an influential Republican politician who tried to
arrange a peace agreement between the Union and the Confederacy.
Holbrook had previously portrayed Lincoln in the 1976 mini-series
Carl Sandburg's Lincoln and in the 1980s
North and South mini-series.[20]
- Bilbo had been imprisoned but was freed by Lincoln, and then
lobbied for passage of the
Thirteenth Amendment.[16]
- Confederate States
- Stephens had served with Lincoln in Congress from 1847 to 1849.
He met with Abraham Lincoln on the steamboat
River Queen at the unsuccessful
Hampton Roads Conference on February 3, 1865
- Campbell was a former Supreme Court Justice who had resigned at
the start of war and then served as Assistant Secretary of War in
the Confederate government. He was also a member of the Confederate
delegation that met with Lincoln at the Hampton Roads Conference.
- Michael Shiflett as the third Confederate delegate to Hampton
Roads, Senate President
Robert M. T. Hunter
- Christopher Boyer (non-speaking role) as
Robert E. Lee
- Union Army
Production
Development
While consulting on a
Steven Spielberg project in 1999, Goodwin told Spielberg she was
planning to write Team of Rivals, and Spielberg immediately told
her he wanted the film rights.[30]
DreamWorks finalized the deal in 2001,[31]
and by the end of the year,
John Logan signed on to write the script.[32]
His draft focused on Lincoln's friendship with
Frederick Douglass.[33]
Playwright Paul Webb was hired to rewrite and filming was set to begin
in January 2006,[31]
but Spielberg delayed it out of dissatisfaction with the script.[34]
Neeson said Webb's draft covered the entirety of Lincoln's term as
President.[35]
Casting
Liam Neeson was cast as Lincoln in January 2005, having previously
worked with Spielberg in
Schindler's List.[31]
In preparation for the role, Neeson studied Lincoln extensively.[36]
However, in July 2010, Neeson left the project, saying that he had grown
too old for the part. Neeson was 58 at the time, and Lincoln, during the
time period depicted, was 55 and 56.[37]
Co-star
Sally Field, in a 2012
PBS
interview, intimated that Neeson's decision was influenced by the loss
of
his wife less than a year earlier.[38][39]
In November 2010, it was announced that Day-Lewis would replace Neeson
in the role.[40]
Tony Kushner replaced Webb. Kushner considered Lincoln "the greatest
democratic leader in the world" and found the writing assignment
daunting because "I have no idea [what made him great]; I don't
understand what he did any more than I understand how
William Shakespeare wrote
Hamlet
or
Mozart wrote
Così fan tutte." He delivered his first draft late and felt the
enormous amount written about Lincoln did not help either. Kushner said
Lincoln's
abolitionist ideals made him appealing to a Jewish writer, and
although he felt
Lincoln was Christian, he noted the president rarely quoted the
New Testament and that his "thinking and his ethical deliberation
seem very
talmudic".[41]
By late 2008, Kushner joked he was on his "967,000th book about Abraham
Lincoln".[42]
Kushner's initial 500-page draft focused on four months in the life of
Lincoln, and by February 2009 he had rewritten it to focus on two months
in Lincoln's life when he was preoccupied with adopting the
Thirteenth Amendment.[35]
Filming
While promoting
Indiana Jones and the Kingdom of the Crystal Skull in May 2008,
Spielberg announced his intention to start filming in early 2009,[43]
for release in November, ten months after the 200th anniversary of
Lincoln's birth.[30]
In January 2009,
Taunton and
Dighton, Massachusetts were being scouted as potential locations.[44]
Spielberg arranged a $50 million budget for the film, to please
Paramount Pictures CEO
Brad
Grey, who had previously delayed the project over concerns it was
too similar to Spielberg's commercially unsuccessful
Amistad (1997). Spielberg had wanted
Touchstone Pictures – which agreed to distribute all his films from
2010 – to distribute the film, but he was unable to afford paying off
Paramount, which had collaborated with DreamWorks on the film's
development.[45]
Filming took place in
Petersburg, Virginia. According to location manager Colleen Gibbons,
"one thing that attracted the filmmakers to the city was the 180-degree
vista of historic structures" which is "very rare".[46]
Lincoln toured Petersburg on April 3, 1865, the day after it fell to the
Union Army. Scenes were also filmed in
Fredericksburg, Virginia, Virginia Repertory Theatre's
November Theatre which represented Grovers Theatre
[47] and at the
Virginia State Capitol in
Richmond, which served as the Capitol of the Confederacy during the
Civil War.[28][48]
Abraham Lincoln visited the building on April 4, 1865, after Richmond
fell to the Union Army.
On September 4, 2012,
DreamWorks and
Google Play announced on the film's
Facebook page that they would release the trailer for the film
during a
Google+ hangout with
Steven Spielberg and
Joseph Gordon-Levitt on September 13, 2012 at 7pm EDT/4pm PDT.[49]
Then, on September 10, 2012, a teaser for the trailer was released.[50]
Music
The soundtrack to Lincoln was released by
Sony Classical on November 6, 2012 in the United States and was
recorded by the
Chicago Symphony Orchestra and the
Chicago Symphony Chorus.[51][52]
All music composed by
John Williams.
|
1. |
"The People’s
House" |
3:43 |
2. |
"The Purpose
of the Amendment" |
3:07 |
3. |
"Getting Out
the Vote" |
2:49 |
4. |
"The American
Process" |
3:57 |
5. |
"The Blue and
Grey" |
3:00 |
6. |
"With Malice
Toward None" |
1:51 |
7. |
"Call to
Muster and Battle Cry of Freedom" |
2:17 |
8. |
"The Southern
Delegation and the Dream" |
4:43 |
9. |
"Father and
Son" |
1:42 |
10. |
"The Race to
the House" |
2:42 |
11. |
"Equality
Under the Law" |
3:12 |
12. |
"Freedom's
Call" |
6:08 |
13. |
"Elegy" |
2:35 |
14. |
"Remembering
Willie" |
1:51 |
15. |
"Appomattox,
April 9, 1865" |
2:38 |
16. |
"The Peterson
House and Finale" |
11:00 |
17. |
"With Malice
Toward None (Piano Solo)" |
1:31 |
Total length:
|
58:46 |
|
Release
Marketing
Several companion books and ancillary literature were released in
anticipation of the film, including A President for the Ages,
Lincoln: A Cinematic and Historical Companion,
Harold Holzer's How Abraham Lincoln Ended Slavery in America
and Lincoln: A Spielberg Film – Discover the Story from
Disney Publishing.[53]
Home media
Lincoln was released on
Blu-ray, DVD,
and
digital download in North America on March 26, 2013 from
Touchstone Home Entertainment.[54]
The film debuted at No. 1 in Blu-ray and DVD sales in its first week of
release.[55]
Disney Educational Productions donated DVD copies of the film and a
teaching guide titled Stand Tall: Live Like Lincoln to more than
37,100
secondary schools in the
United States, after Spielberg received letters from educators
requesting to incorporate the film into their
curriculum.[56][57][58]
Reception
Box office
Lincoln earned $182,207,973 in North America from 2,293
theaters and $91,852,750 overseas for a total of $274,060,723, well
exceeding its $65 million budget. The film had a limited opening in 11
theaters with $944,308 and an average of $85,846 per theater. It opened
at the #15 rank, becoming the highest opening of a film with such a
limited release. The film opened in 1,175 theaters with $21,049,406 and
an average of $11,859 per theater.[3]
Due to the widespread success of Lincoln, Disney produced
additional prints of the film to accommodate theater demand.[59]
Critical response
Lincoln received worldwide critical acclaim. The film
currently holds a 89% approval rating on the review aggregate website
Rotten Tomatoes, based on 242 reviews with an average rating of
8/10.[60]
On
Metacritic, which assigns a normalised rating out of 100 based on
reviews from critics, the film has a score of 86 (out of 100) based on
44 reviews, indicating "universal acclaim", thus making it Spielberg's
highest rated film on the site since
Saving Private Ryan.[61]
Roger Ebert of the
Chicago Sun-Times gave the film 4 out of 4 stars and said, "The
hallmark of the man, performed so powerfully by Daniel Day-Lewis in
Lincoln, is calm self-confidence, patience and a willingness to play
politics in a realistic way."[62]
Glenn Kenny of
MSN Movies gave it 5 out of 5 stars stating, "It's the most
remarkable movie Steven Spielberg has made in quite a spell, and one of
the things that makes it remarkable is how it fulfills those
expectations by simultaneously ignoring and transcending them."[63]
Colin Covert of the
Star Tribune wrote, "Lincoln is one of those rare
projects where a great director, a great actor and a great writer
amplify one another's gifts. The team of Steven Spielberg, Daniel
Day-Lewis and Tony Kushner has brought forth a triumphant piece of
historical journalism, a profound work of popular art and a rich
examination of one of our darkest epochs."[64]
It was praised by Charlie McCollum of the
San Jose Mercury News as "one of the finest historical dramas
ever committed to film."[65]
Despite mostly positive reviews,
Rex
Reed of
The New York Observer stated, "In all, there's too much
material, too little revelation and almost nothing of Spielberg's
reliable cinematic flair." However, the reviews have been unanimous in
their praise of Day-Lewis's performance as Abraham Lincoln.
A. O. Scott from
The New York Times stated the film "is finally a movie about how
difficult and costly it has been for the United States to recognize the
full and equal humanity of black people" and concluded that the movie
was "a rough and noble democratic masterpiece".[66]
Scott also stated that Lincoln's concern about his wife's emotional
instability and "the strains of a wartime presidency... produce a
portrait that is intimate but also decorous, drawn with extraordinary
sensitivity and insight and focused, above all, on Lincoln's character
as a politician. This is, in other words, less a biopic than a political
thriller, a civics lesson that is energetically staged and alive with
moral energy."[66]
Lebanese film critic Anis Tabet gave the film a positive review,
giving it a 3.5/4 rating.[67]
As reported in the
Maariv newspaper, on February 3, 2013, Israeli prime minister
Netanyahu and his ministers discussed Spielberg's film, which
several of them saw in Israeli cinemas. They debated whether the end of
abolishing slavery justified the means used by Lincoln, and also
compared Lincoln's predicament with their own complicated situation in
the confused aftermath of the
2013 Israeli elections.[68]
The review by
The Daily Mail suggested: "The sad truth is that Spielberg and
his writer Tony Kushner are offering a phoney, sanitised version of
Lincoln."[69]
The Sagamore Online review was also critical: "A film based on
historical events that lacks accuracy might still attract audiences on
entertainment value alone. Unfortunately, director Steven Spielberg’s
Lincoln has neither."[70]
Historian response
Eric Foner (Columbia
University), a
Pulitzer Prize–winning historian of the period, claimed in a letter
to The New York Times that the film "grossly exaggerates" its
main points about the choices at stake in the passage of the Thirteenth
Amendment.[71]
Kate Masur (Northwestern
University) accuses the film of oversimplifying the role of blacks
in
abolition and dismissed the effort as "an opportunity squandered" in
an op-ed
for The New York Times.[72]
Harold Holzer, co-chair of the Abraham Lincoln Bicentennial Foundation
and author of more than 40 books, served as a consultant to the film and
praised it, but also observed that there is "no shortage of small
historical bloopers in the movie" in a piece for
The Daily Beast.[73]
Barry Bradford, a member of the
Organization of American Historians, offers an analysis of some of
the finer historical points of the film's representation of clothing,
relationships and appearance.[74]
Allen Guelzo (Gettysburg
College), also writing for The Daily Beast, had some plot
criticism, but disagreed with Holzer, arguing that, "The pains that have
been taken in the name of historical authenticity in this movie are
worth hailing just on their own terms".[75]
In a later interview with the
World Socialist Web Site Guelzo claimed that "the film was 90
percent on the mark, which given the way Hollywood usually does history
is saying something".[76]
David Stewart, independent historical author, writing for History News
Network, described Spielberg's work as "reasonably solid history", and
told readers of HNN to "go see it with a clear conscience".[77]
Lincoln biographer Ronald White also admired the film, though he noted a
few mistakes and pointed out in an interview with
NPR, "Is
every word true? No."[78]
Historian
Joshua M. Zeitz, writing in
The Atlantic, noted some minor mistakes, but concluded "Lincoln
is not a perfect film, but it is an important film".[79]
Following a screening during the film's opening weekend, the
Minnesota Civil War Commemoration Task Force held a panel discussion
in which Dr. David Woodard of
Concordia University remarked, "I always look at these films to see
if a regular person who wasn't a 'Lincoln nut' would want to read a book
about it after they watched the movie. I get the impression that most
people who are not history buffs will now want to read something about
Lincoln."[80]
Accolades
See also
References
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^ Frank J. Williams
Judging Lincoln 2007 Page 138 "Moses
Odell.... He was one of sixteen Democrats who voted for the
amendment. Among the others were
James E. English of Connecticut,
A. H. Coffroth and
Archibald McAllister of Pennsylvania, Wells A. Hutchins of
Ohio,
Augustus C. Baldwin of Michigan and
Anson Herrick,
William Radford, Judge
Homer A. Nelson,
John B. Steele, and
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